07 Jun 2005

Richmond Hill's "You Can't Take It with You" Is All (Kaufman &) Hart

By Mike Schulz
Moss Hart & George S. Kaufman's 1938 comedy You Can't Take It with You is so sturdy and reliably entertaining that it doesn't take much more than a mediocre version of it to make audiences happy. The current production at the Richmond Hill Barn Theatre is significantly better than mediocre - vibrantly played and almost consistently pleasurable - but what's completely surprising is the cleverness and skill behind Vicki Deusinger's staging of it.
31 May 2005

Ballet Effectively Captures Anne Frank's Life

By Administrator
The Diary of Anne Frank is practically synonymous with the Holocaust. For this reason, Alan Ross, executive director of the Jewish Federation of the Quad Cities, asked Ballet Quad Cities to create a dance based on the book as part of the community project "Beyond the Holocaust: Lessons for Today."
31 May 2005

"People Never Cease to Amuse Me"

By Mike Schulz
"This is a true story," insisted Bill Engvall during a recent phone interview. "I was on a plane, and the flight attendant was asking about people who needed a wheelchair. And she actually said to us, 'If you requested a wheelchair, please walk up front and . .. .'" The comedian laughs. "People never cease to amuse me."
24 May 2005

New Ground Turns Mamet's "Boston Marriage" into a Massacre

By Mike Schulz
From first scene to last, New Ground Theatre's production of Boston Marriage is an almost total misreading of David Mamet's 1999 work. As usual, New Ground's decision to tackle offbeat and challenging material is commendable, but its latest offering is so wrong-headed in execution that it makes you understand why audiences often shy away from the offbeat and challenging.
10 May 2005

World Premiere Offers No Easy Answers: "Altar Call" at the Playcrafters Barn Theatre

By Mike Schulz
Melissa McBain's drama Altar Call, currently playing at Playcrafters' Barn Theatre, is beautifully unresolved. There are many fine elements in this production - along with some not-so-fine ones - yet I was impressed by McBain's willingness to let the drama linger after its close. She introduces potentially volatile subject matter such as adultery, homosexuality, and the dogmatic elements of scripture, yet doesn't attempt to provide easy answers to the play's complexities.
03 May 2005

Augustana College's "Laramie Project" Thrillingly Good

By Mike Schulz

Since 1990, I've attended more than 25 plays at Augustana College, yet I've never seen one that made better use of the Potter Hall stage than The Laramie Project.

26 Apr 2005

Caught Between Church and Family: Melissa McBain's "Altar Call"

By Mike Schulz

The time: the present invaded by the past. The setting: sanctuaries in the southwest desert. The play: Altar Call. And the playwright: Melissa McBain, who has appropriated one of the country's most volatile current debates - where the church stands on the subject of homosexuality - as her play's subject.

19 Apr 2005

Humor Helps Elevate "Rosencrantz": St. Ambrose University's "Rosencrantz & Guildenstern Are Dead"

By Mike Schulz

Rosencrantz & Guildenstern Are Dead, which recently closed St. Ambrose University's 2004-5 theatre season, is a tough play to produce effectively at the collegiate level: How do you present Tom Stoppard's mordantly funny rumination on mortality and the meaninglessness of existence with performers this young?

19 Apr 2005

"Pippi" Never Starts Making Sense: "Pippi Longstocking" at the Circa '21 Dinner Playhouse

By Mike Schulz

So far as I know, there are no steadfast rules regarding children's theatre, but two certain "don't"s would have to be: (1) Don't bore the kids, and (2) Don't confuse the kids.

12 Apr 2005

Albee Blames Commerce for the Decline of the Arts

By Johanna Welzenbach-Hilliard
The Allaert Auditorium at the Galvin Fine Arts Center was almost filled to capacity last Friday evening when admirers of Edward Albee, author of such legendary American works as Who's Afraid of Virginia Woolf?, Seascape, and The Zoo Story, flocked from near and far to see their favorite avant-garde playwright give a public lecture about "The State of the Theatre & the Arts in America."

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