As the lights dimmed for the Clinton Area Showboat Theatre's production of The Mousetrap - based on Agatha Christie's mystery novel - I already knew whodunnit. But don't be fooled into thinking that I possess superhuman powers of deduction or anything. I was in a high-school production of the play some 20 years ago. (Fine. Twenty-three years ago. Happy, Mom?)

So I'm not exactly fit to comment on how successfully Christie's murderous plot plays itself out here. Yet my familiarity with the story didn't lessen my enjoyment of CAST's endeavor in the slightest. Quite the contrary: I loved this production, because the vigor with which the Mousetrap ensemble played their comically shady characters was positively exhilarating.

It's hot. It's muggy. Bugs are everywhere. And in Iowa City, that means it's time for Shakespeare.

Every summer, the Riverside Theatre trades its stage in downtown Iowa City for an outdoor venue in lower City Park, one that was actually modeled after London's Globe Theater. Appropriately enough, the company uses this Shakespeare-inspired space to stage two Shakespearean productions in repertory, and this year's schedule - running through July 9 - alternates between Twelfth Night and The Tempest.

This past weekend, it was rainy, gloomy, and downright cold for this time of year. Let's face it: The weather sucked.

And thinking about all the local outdoor events where attendance might have been negatively affected by the climate - Race for the Cure, the Left Bank Fine Art Fair, Gumbo Ya Ya, et cetera, et cetera - I couldn't bear to not attend Genesius Guild's and Opera @ Augustana's Saturday-night performance of The Mikado. Foul weather be damned - if The Mikado's cast and orchestra were going to suffer the elements, then by God, so was I.

More often than not, our area's musicals are graced by terrific voices. But every once in a while, a performer will come along whose vocal gifts and interpretive skills positively knock you out, causing you to silently mouth one word at your theatergoing companion: "Damn." The Quad City Music Guild's current production of the Disney musical Aida, directed by Bill Marsoun, doesn't have one of those performers. It has two.