Marvin Cone, American 1891-1965, River Valley, 1936, oil on canvas, Private Collection.

Saturday, January 18, through Sunday, June 8

Figge Art Museum, 225 West Second Street, Davenport IA

Featuring paintings both from the museum's collection and on loan, the Figge Art Museum's Marvin Cone: Painter offers a celebration of this exceptional artist and teacher who steadfastly pursued artmaking for more than 50 years, the arresting exhibit, on display from January 18 through June 8, exploring Cone's life as an Iowa artist, the stylistic shifts in his work, and new perspectives on a familiar area talent.

Cone was born in Cedar Rapids, Iowa, and lived there most of his life. He graduated from Washington High School in 1910, and after attending Coe College, traveled to Paris with his contemporary and high-school friend Grant Wood. Upon his return to the United States, Cone helped found the Stone City Art Colony. He was a professor at Coe College for more than 40 years, and most of Cone's paintings can now be seen at the Cedar Rapids Museum of Art. Some of his sketches can also been found in the permanent collection of the University of Northern Iowa Gallery of Art in Cedar Falls, with "Untitled (Interior)," a painted scene of doors in an interior, on display at the Blanden Memorial Art Museum in Fort Dodge, Iowa.

In 1906, Cone began a lifelong friendship with Grant Wood. Following Cone's graduation from Coe College in 1914, he studied for several years at the School of the Art Institute of Chicago before enlisting in the Iowa National's Guard's 34th Infantry Division in 1917. During that time, he won a training-camp design competition with a "Red Bull" insignia, which the now multi-state unit wears to this day. He also left for France in 1917, where he served for several years as an interpreter.

When Cone returned to Cedar Rapids in 1919, he continued to pursue his interest in art, accepting a position teaching French at Coe College for the 1919–1920 academic year. Cone also quickly renewed his friendship with Grant Wood and resumed his active involvement with the local art association (now the Cedar Rapids Museum of Art). Cone and Wood went abroad in the summer of 1920, hoping to improve their technical skills. The visit proved influential, resulting in a stunning series of impressionistic views of picturesque cityscapes and landscapes, Paris streets and gardens, and the French countryside. Architecture and landscape fascinated Cone for the rest of his life. He returned to Paris with his wife Winnifred in 1929 and traveled to Mexico in 1939. Cone lived all his 74 years in Cedar Rapids, Iowa, where he married, raised a family, and for more than four decades, taught art at Coe College.

Cone sought to evoke his inner vision of nature rather than to create a realistic depiction of the rural landscape. To Cone, nature was a vehicle for revealing certain truths. His paintings integrated his firsthand observation of nature. He once said, "The purpose of art is not to reproduce life, but to present an editorial, a comment on life ... . The artist does not set out to imitate nature. What would be the purpose of that? Let the camera with its clever mechanism imitate. Art, such as poetry, music, and painting, is simply a portion of the experience of the artist. When we actually see ideals, they become real to us. Art traces an abstraction and makes it audible or visual. It symbolizes the whole of life. We believe in something we can see.”

Marvin Cone: Painter will be on display in the Davenport venue's Lewis Gallery from January 18 through June 8, with regular museum hours 10 a.m. to 5 p.m. on Tuesdays through Saturdays (10 a.m. to 8 p.m. on Thursdays) and noon to 5 p.m. on Sundays. Museum admission is $8-14, and more information is available by calling (563)326-7804 and visiting FiggeArtMuseum.org.

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