Reader issue #662 Primal fires transform mud into stone. Tanned-hide-like scrolls stitched together with tea bags evoke tribal dance and hunting rituals. Intricate and whimsical lattice-like snowflake images lighten the spirits. These elemental forces of nature are on display at the Quad City Arts gallery, in the forms of clay works by Sally Gierke and Jim Cronk, cut paperworks by Keith Bonnstetter, and tribal fabric works from Tricia Coulson.

Reader issue #661 For our fall 2007 photo contest, we asked our readers to submit photographs playing off the words "beginning," "middle," and "end." Here we present our favorites from among the nearly 100 submissions we received.

Reader issue #657 John Bloom was a master of lines. Drawing directly from everyday life, he transformed his observations with a skillful economy and nuance that can only come from long experience and total observation. Even in his lithographic printmaking, his subtle and beautifully lighted tones were created by a multitude of lines. In his paintings, his linear preparations paid off in a painting style that grew progressively lighter, almost effortless.

fiberglas 1 A luminescent circle gleams over an ocean of subtle fabric waves. Little squares of small purple beads sit like boats on a pale-blue sea. Surprising fragments of red and white texture enter from the side. A cloaked green figure seems to walk along the shore to a blue-misted house in the distance. Behind in the sky, cloud forms repeat the patterns on the surface of the water. Little gold amulets shine in the light. One can feel the coolness in the air and the breeze rising up from the water.

651_coverthumb.jpg Rarely does paint - the actual physical stuff laden with pigment - have as enthusiastic a friend as it does with Felix Morelo. The artist often lavishes his surfaces with thick and lustrous textured passages in blood reds, dirty aqua greens, or caustic oranges. In other areas, he stingily scrubs in the most minimal hints of browns or soiled denim blues.

Bill Hannan - The PlanetsOn a small, dark stage, Venus slowly materializes, walking silently toward us in a diaphanous robe, holding a chalice and a sheath of wheat, her eyes distant. Jupiter, looking like Dionysus, sits on an invisible chair holding a jester's toy, laughing at something he's just heard from sly Mercury, who slowly floats by. Neptune the mystic crouches, bare-headed, waiting, looking beyond us.

Mayor Mark Schwiebert and Ruth Evelyn Katz Over the past 19 years, the Riverssance Festival of Fine Art has bestowed the Harley Award (named after the event's harlequin logo) in recognition of "an individual or organization that has demonstrated a lasting commitment to the promotion and the advancement of the visual arts and artists in the Quad Cities area." And certainly, that description applies to 2007's Harley Award recipient, Ruth Evelyn Katz.

Snakeskin A huge foam cornucopia, curling in a massive yellowish shape, fills up the entire front window of the Leger Gallery in its current exhibit. Instead of the smooth perfect curve of a mathematical spiral, we have an unevenly textured solidified liquid used in a completely new way to describe the flow of thought and time and nature. With an industrial material normally used to insulate houses, Terry Rathje has created a buoyant example of the lively and inventive presentation inside.

by Yossi Lemel, Israel From August 31 through September 27, the Quad Cities will host the touring exhibition Coexistence: The Art of Living Together, and there'll be practically no way to miss it.

All Kinds of People by Dawn Wohlford-Metallo and Lisa Mahar The use of found objects carries an up-front challenge to artists. Do you try to transform the identity of the "junk" by visually turning it into something else? Or do you accept the object (and all of its cultural baggage) for what it is and shape your artistic statement to incorporate the materials and their recognizability?

This was one of many issues faced by several local artists who participated in the Mississippi Palette project this year. The artists teamed up with the Artists Advisory Council, high-school and college students, environmentalist Chad Pregracke, and his Living Lands & Waters organization to create eight found-material sculptures.

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