Jack Wilhoit

When MidCoast Fine Arts opened the Bucktown Center for the Arts nine years ago, the marketing played up its downtown-Davenport neighborhood's once-upon-a-time reputation as the "wickedest city in America."

Jack Wilhoit of Worldly Views said some artists who leased studios back then followed that lead. "It seemed like there was a lot of partying by emerging artists, but that didn't sell fine art," he said.

From the photography and works in Worldly Views, it's obvious that Wilhoit's muses are the doors and bicycles he's encountered during his extensive travels - hence, his nickname as "The Door Guy." Entering the space, you see an unusual table with a gleaming-refinished-door top that sits on a metal support of repurposed bicycle parts - arranged to look as if the framework is ready to move. The metal table legs on one end bend at an angle, as if to simulate an animal's forward sprint. It successfully suggests futuristic robotic speed blended with the craftsmanship of the sturdy door and meticulously machined parts.

Wilhoit's studio is the sole remaining original tenant at Bucktown. While the building still provides studio-shop suites for artists, there have been many changes. There's a greater number of artists teaching classes in their studios; Bucktown artists talk about how their peers inspire and challenge them; and the tenants now include an animation studio and a store selling an unusual line of paints. When I was hired as Bucktown's building coordinator in June, I was surprised by both the variety and maturity of the artists and artisans.

Wilhoit also noted that MidCoast reorganized its second-floor gallery to provide artists with more-affordable gallery spaces, starting at $30 a month. "Initially that space was treated as four partitioned studios and a changing-exhibition showroom," he said. "About five years ago, the changing-exhibition gallery was kept, but the studios were divided into smaller areas for more artists to have a sales space." Hallway display cases can also be rented.

That emphasis on sales, said Dee Schricker of Boho Chic Gallery, is critical to artists: "If it wasn't important to sell the work, I could create my art at home. My clientele base was built from walk-ins to Bucktown."

More change is almost certainly coming to the building with a pending sale, but a downsized MidCoast presence in the building will allow Bucktown to continue as an outlet for artists - and it should still thrive.

'Night Caravan,' by Kristin Quinn

One is a potter, one a painter. Megan and Kristin Quinn are sisters living and teaching on opposite Mississippi River shores of the Quad Cities. Their paths to art were different, and their chosen media put them at polar ends of a visual-arts axis. Kristin said that, in jest, a brother-in-law calls her "Artsy" and Megan "Craftsy."

It doesn't take long in their presence to grasp their deep mutual admiration and friendship. However, Kristin was nine years old when Megan left for college, and the age difference precluded any close relationship in childhood.

As the Quinn sisters look back at their family of five children, they see just a few shared inspirations from their time growing up in Bowie, Maryland. Their parents were educators. He was a physicist and professor at the University of Maryland who specialized in optics and provided access to visually stimulating apparatuses: prisms, lenses, even early holograms. "We played laser tag with real lasers," said Megan with a laugh.

Along with plentiful lessons on the natural world, they were encouraged to ask questions. Kristin explained: "On long car trips, we passed the time with questions to stump Dad: Why was the sky orange, what caused hail, and how were tunnels built under the bay? ... We refer to these questions now as 'Tunnel Talk' questions."

The inquisitiveness fostered in their youth is readily apparent in their art, and they've built similar teaching careers: Megan is a ceramics professor at Augustana College, while Kristin - the painter - is a professor and chairs the art department at St. Ambrose University. They will be jointly honored with the Harley Award at 12:30 p.m. on Saturday, September 20, as part of MidCoast Fine Arts' Riverssance Festival of the Arts at Lindsay Park in Davenport.

It is as if a Jimi Hendrix concert outfit collided and merged with great-grandma's doily and potholder collection in the 2009 Soundsuit by Nick Cave, part of the exhibition Innovators & Legends: Generations in Textiles & Fiber that runs through September 7 at the Figge Art Museum.

Recently at the Quad City International Airport art gallery, two travelers were bluntly musing about twisting sculptures cantilevered off the display wall. "Normally, this would be considered a pile of crap," one said.

Tree house, snow fort, doll house, sand castle - most of us enjoyed playing with some kind of architecture as a child. The exhibition Questionable Architecture, by Terry Rathje in collaboration with Steve Banks and Monica Correia, unleashes a whiff of that joy for viewers with fanciful structures that appeal as sophisticated art forms.