Purchased in honor of the Figge Art Museum's late museum trustee, board president, and museum supporter Tom Gildehaus, the visitor favorite Corn Zone returns to the Davenport venue July 5 through September 27, its “corn field” installation of oversize blown-glass ears carefully suspended from the museum's ceiling with rope, and designed to explore the fragility of glass, the story of corn, and contemporary issues in farming.

Timed to the 250th anniversary of the signing of the United States' Declaration of Independence, the Figge Art Museum exhibition Connie & Michael Roberts: Portrait of America will be on display in the Davenport venue's Lewis Gallery July 5 through January 3, this arresting collection of works inviting audiences to reflect on the individuals who helped shape our nation’s history.

In celebration of America’s 250th birthday, Davenport's Figge Art Museum is hosting American Art talks throughout the month of July, and on Thursday the 9th, guests are invited to the John Deere Auditorium to hear from Chicago artist Sarah Ann Weber, whose work Their Perfume Lost is featured in the A Golden Age for Whom? exhibition currently on view in the Mary Waterman Gildehaus Community Gallery.

With the latest Quad City Arts Center exhibition taking on a very specific theme, and a seasonally appropriate one, at that, a pair of Midwestern artists will have beautiful works displayed in Urban & Williams, with the Rock Island venue, from June 26 through August 7, treating patrons to bike photography by Ken Urban and bike illustrations by Jeff C. Williams.

Bringing together contemporary artists responding to the themes and aesthetics explored in the Davenport venue's concurrent exhibition The Golden Age: Featuring Northern European Works from the National Gallery of Art, the Figge Art Museum's A Golden Age for Whom? will be on display through September 20, the two exhibitions' adjoining galleries allowing visitors to move directly between historic works and contemporary responses.

Four Chicago-based artists will present concurrent solo exhibitions across the galleries of Dubuque's Voices Studios through July 31, with the collective Quiet Intersections exhibit a multi-faceted experience that reveals how individual artistic voices can converge, diverge, and share creative space.

With its venue transformed into a space to honor and celebrate the creativity of four graduating digital art and design majors before they step into the world as professional designers, the 2026 DART Senior Thesis Show will be on display at the University of Dubuque's Bisignano Art Gallery throughout the summer, this annual exhibit an energetic mix of illustration, motion design, and digital painting.

Colorful, playful, and delightfully goofy works will be on display at the Quad City Arts International Airport Gallery through June 29, with the shared exhibition Butcher, Hymes, & Murtha showcasing new illustrations on shaped wood by Aaron Butcher and examples of fiber art by MaryKay Hymes and Diane Murtha.

Taking as its inspiration a beloved television series starring Lynda Carter, visual artist Dara Birnbaum's Technology/Transformation: Wonder Woman will be on view in Davenport's Figge Art Museum through August 16, the video one of the best-known creations from the talent who borrowed imagery and sound to compose powerful, politically charged video works.

Telling the story of Raven, an important trickster figure in Tlingit culture who transformed the world by bringing light to people via the stars, moon, and sun, Preston Singletary: Raven and the Box of Daylight will be viewable at Davenport's Figge Art Museum through August 2, with the tale of Raven releasing or "stealing" the daylight one of the most iconic stories of the Tlingit people of Southeast Alaska.

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