Parlophone - the label home to everyone from the Beatles to Colplay in the UK - found the Swedish quintet Love Is All a touch hard to work with.
The label released the band's 2006 debut, Nine Times That Same Song, but dropped it after receiving rough mixes for the follow-up and getting resistance from the group about employing some outside producers to shape the recordings.
It was a union destined for failure, but Parlophone simply discovered what the members of Love Is All knew already: They are difficult.
"Everybody has so much say about everything," said lead singer Josephine Olausson in a phone interview last week. "It can get really frustrating."
Cadillac Records opened this past weekend with a respectable $5,023 per theatre, and got good reviews. It came in second place in this week's
Santa and your friendly postal carrier might be wishing that everyone gave digital gifts this year, as gift cards and iTunes credits surely lighten the load of their sacks. I'm sorry, St. Nick, but the perfect gift to thrill the music fan might be one of four new coffee-table books.
There is no disputing that Sean Ryan is inexperienced. He's a senior at Augustana College, and he nearly boasts that the songs on his debut album, Lonesome Driver Music, were dashed off and barely touched again.
No movie has ever won the
As we all expected, Bolt ran away with this week's
The Quad Cities quartet Chrash goes by many names, and right now its preference appears to be Chrash Flood. That shape-shifting seems to reflect an almost willful desire for obscurity.
Does it make sense to get out of the way of a certain blockbuster? Or should studios try to tap into a market being unserved by that which every human is required to see on its opening weekend?






