The Tubs (confuse with the Tubes at your own risk) are a Welsh band, relocated to London and now touring America for the first time. On first listen, their newest album Cotton Crown is a glorious wash of '90s college-rock guitar, a warm shower at midnight in a gently-lit bathroom, radio-ready four-chord nostalgia for hipsters and Blues Traveler fans alike. Taken at the most superficial, background level, it's an energizing shot of musical positivity.

Apocalyptic in its vision and ambitious in its musicality, High on Fire’s first album since 2018 is an explosion of pent-up heavy metal energy from one of the finest and most progressive bands active today.

There are a number of fine performances scheduled at Rozz-Tox as detailed on their Web site, but the arrival of the Bill Orcutt Guitar Quartet on May 4 is unique even by the standards of that most eclectic of QC venues.

In the 2020s, the “doom” or “sludge” tag is increasingly self-applied, as an ethos as well as an aesthetic, by bands who create oppressive, cathartic music intended as a reflection of our dismal times. Such are the three bands – Body Void, SERAC, and Everlasting Light – playing Davenport's Raccoon Motel (315 East Second Street) on Friday, December 8.