Darsombra's swirling sheets of guitar and synth are accompanied by Everton's intense and detailed visual projections. These run the gamut from trippy patterns and Eastern-derived imagery to nightmarish depictions of Earth reminiscent of the 1982 film Koyaanisqatsi (“world out of balance”). It's a lot to take in, which is the point. Their stated goal is to create a “a symbiotic audio-visual-energetic experience that creates a temporary reality, woven by sight, sound, and movement.”

A recap of 2020 is unnecessary for this article. We all know what kind of year it was. Its upside was the incredible amount of good music that made its way to the ears of a world that needed to hear it - perhaps more than at any other time in recent history.

2020's best local release is an apocalyptic album for an apocalyptic year. Condor & Jaybird have distilled their end-time vision in a sweeping, prog-tinged psych-rock masterpiece, coating a heavy pill with pop hooks, dancing guitars, and infectious rhythms. The Glory is an aptly-named document of Condor & Jaybird's maturation as musicians and songwriters, and the closing third of a trilogy begun by The Power and The Kingdom.

New Standards Men are a pair of "lapsed Iowans" based in Denver. Their album I Was a Starship finds ex-Dubuquers Drew Bissell (bass, electronics) and Jeremy Brashaw (guitar) joined by Michigander Ike Turner (drums) and two more un-lapsed Iowans: the venerable Bob Bucko Jr. of Dubuque on sax and synths; and Lee County's Luke Tweedy, who added synthesizer in addition to recording and engineering the album at his own Flat Black Studios in Iowa City. The three extended tracks are a wholly Midwestern creation but sound unearthly in origin, like a fading transmission from space, a slow and lonely echo that rises to a rumble and dies out.