The fleet, funny noir opening to the Circa '21 Dinner Playhouse's Bootlegger revue The World Goes 'Round is actually quite misleading, as it bears almost no resemblance to the show that follows. Yet rarely have I been so happy to be misled, because the show that follows is a real beauty - thoughtful and nuanced and serious, and oftentimes boasting a gravity and sadness that, coming from the Circa '21 stage, feels legitimately shocking.
THE EXPENDABLES 2
Theatre
THE CAMPAIGN
TOTAL RECALL
Music
THE WATCH
If you're a fellow fan of Twin Peaks - David Lynch's 1990-91 cult favorite in which Special Agent Dale Cooper investigated the murder of high-schooler Laura Palmer - you can listen to folk singer/songwriter Sofia Talvik's latest CD thinking that the Swedish musician sounds, sometimes uncannily, like that TV series' resident chanteuse, Julee Cruise. With her light, airy soprano and haunting, faraway melancholy, it's easy to imagine Talvik herself hypnotizing crowds in a small-town biker bar, right before vanishing into the ether and being replaced by a cryptic bald giant. (It was that kind of show, bless its demented heart.)
Even if you entered the Timber Lake Playhouse's Boeing-Boeing unaware that author Marc Camoletti's play was a farcical comedy - its elbow-in-the-ribs title somehow not divulging that information - all it would take is one look at Nathan Dahlkemper's scenic design to know that some serious slapstick was bound to be in store.
THE DARK KNIGHT RISES






