Elle Fanning and Joel Courtney in Super 8SUPER 8

Though many of us might agree with the sentiment, saying that writer/director J.J. Abrams' Super 8 stumbles in its last half hour isn't entirely accurate. For one thing, "stumbles" implies a relatively minor disruption, and what happens to this Spielberg-influenced sci-fi thriller as it nears its climax is hardly minor; the movie, in its final 30 minutes, doesn't stumble so much as fly off a cliff, fall onto a bunch of land mines, and explode.

Yo La TengoMusic

Yo La Tengo

Englert Theatre

Tuesday, June 21, 8 p.m.

 

The experimental alternative rockers of Yo La Tengo perform a concert at Iowa City's Englert Theatre on June 21, and the All Music Guide has described the group as "the quintessential critics' band." I'm assuming that's all the motivation you need to purchase tickets, as personal experience has proven that the public always agrees with the critics.

Whenever you're done laughing, I'll continue.

Brandon Ford in Sunset BoulevardAfter an extended silent-movie montage - one featuring clips from F.W. Murnau's horror classic Nosferatu - and the appearance of the show's title, the Timber Lake Playhouse's Sunset Boulevard opens with screenwriter Joe Gillis (Brandon Ford) at the bottom of a swimming pool. Granted, the water, like that montage, is a multimedia projection, and Gillis is standing (and singing) rather than floating face-down. But the Act I prelude is still enough like the opening to Billy Wilder's beloved Hollywood noir that fans of the Sunset Boulevard movie will likely smile in recognition and appreciation, and we're returned to this scene of a future crime at the start of the musical's second act.

These are the two, and only, times that Timber Lake's production will find itself underwater.

Michael Fassbender and James McAvoy in X-Men: First ClassX-MEN: FIRST CLASS

If you had told the 10-year-old me that Hollywood would one day release a series of big-budgeted, serious-minded films based on the X-Men comic books, he probably would've done cartwheels for about a week. And if you told that same mini-me that he'd one day grow almost completely apathetic toward this film series, he probably would've laughed in your face.

Zach Galifianakis, Bradley Cooper, Justin Bartha, and Ed Helms in The Hangover Part IITHE HANGOVER PART II

Todd Phillips' The Hangover Part II is the sequel to the director's box-office smash from the summer of 2009, and it's just like the original.

Let me re-punctuate that: It is just. Like. The original.

 

Rosemary Ocar, Kevin Maynard, Nicholas Waldbusser, Don Hazen, and Molly Schmelzer in the Richmond Hill Barn Theatre's Don't Talk to the ActorsAdulterous lovers. Women and men in drag. Mistreated orphans. Nuns sniffing glue. Grandmas peddling racy underwear.

But enough about my upcoming birthday party.

These are just a few of the stage sights that audiences will be privy to over the next three months, as our area's theatre venues and companies open, at last count, an intimidating 62 productions between June 2 and August 26. As usual, the summer season will be filled with musicals, comedies, and blends of the two. But we theatre-going masses will also be treated to a number of classical and Shakespearean titles, challenging Tony Award- and Pulitzer Prize-winners, and even - gasp! - the occasional intense drama, for those who aren't afraid to spend a couple hours of their summer, you know, thinking.

Johnny Depp and Penelope Cruz in Pirates of the Caribbean: On Stranger TidesPIRATES OF THE CARIBBEAN: ON STRANGER TIDES

During the first hour of Pirates of the Caribbean: On Stranger Tides, the third sequel in Disney's hugely successful franchise, characters are routinely told to beware of the mermaids - half-woman/half-fish beings who use their comely looks and tranquil siren songs to drag seafaring men to their deaths. Our adventurers take note of the warnings but pay them little mind, and really, why should they? Disney, after all, is the studio that gave us the benign cutie-pies of The Little Mermaid and (through its Touchstone Pictures label) Splash. Just how nasty can these things be?

We eventually find out, and as a result, I'll likely never look at Ariel or Daryl Hannah the same way again.

Ben Hopkins, Hanlon Smith-Dorsey, Daniel Rairdin-Hale, Yosh Hayashi, Andrew Harvey, and Jessica Denney in A Cadaver ChristmasLast month, the locally produced zombie comedy A Cadaver Christmas was named Best Professional Feature at the Cedar Rapids Independent Film Festival, and given its title, you'd rightly expect the movie to have its tongue stuck firmly in its cheek. Most likely, after being gnawed off and spit out by the groaning, lumbering undead.

Jordan Smith and Joshua Kahn in Rehearsal for MurderThe Playcrafters Barn Theatre's production of Rehearsal for Murder suffers from poor pacing, but excels in its sincere sentiment and charm. The actors, for the most part, tend to take too many beats between lines, which leads to sometimes-clunky dialogue progression. Still, Friday night's performance was appealing for its overall emotional effect, and likable for the cast's ability to move the audience to sympathetic sorrow for the main character's heartache.

Ellie Kemper, Rose Byrne, Wendi McLendon-Covey, Maya Rudolph, and Kristen Wiig in BridesmaidsBRIDESMAIDS

You wouldn't necessarily think that exhaustion and depression would be fertile subjects for a big-screen slapstick - at least, for a big-screen slapstick that didn't star Paul Giamatti. Yet in director Paul Feig's buoyant and brainy Bridesmaids, Kristen Wiig plays a sad, discouraged, frequently humiliated maid of honor with such inventiveness and style that she seems to be creating a new comic archetype right before your eyes. Hiding her misery behind a thinly veiled mask of courtesy and good cheer, and letting her anger and resentment spill out in sarcastic asides and messy, chaotic bursts, Wiig's Annie - like many of the brilliantly talented performer's most memorable characters - is a singular creation. And so, too, is Bridesmaids, a female-driven Judd Apatow comedy (he's a co-producer) with the rare distinction of being smarter than it is funny, though it's still plenty funny.

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