Reese Witherspoon and Vince Vaughn in Four ChristmasesFOUR CHRISTMASES

In the spirit of those magical pre-Thanksgiving treats Fred Claus, Deck the Halls, and Christmas with the Kranks, director Seth Gordon's Four Christmases is Hollywood's annual, star-filled affair that celebrates the joys of the holidays through wisecracks, gaudy colors, pummeling "comic" violence, and occasional projectile vomiting. It differs from its predecessors, though, in one notable regard: It doesn't suck. At least not completely.

Kimberly Furness and Eddie Staver IIIPlaywright John Patrick Shanley's Danny & the Deep Blue Sea is an alternately romantic and volatile two-character drama that finds Roberta, a 31-year-old, jobless mother of a troubled teen, forging a fragile bond with Danny, a 29-year-old truck driver nicknamed "The Beast." And while watching the Curtainbox Theatre Company's current presentation of this 1984 offering, it probably won't take you long to realize that co-stars Kimberly Furness and Eddie Staver III aren't really acting in the production; they're dancing.

Robert Pattinson and Kristen Stewart in TwilightTWILIGHT

Let's just get it out of the way: No, I haven't read Stephenie Meyer's Twilight, and no, I didn't really care for the film version. But I won't begrudge the movie its popular appeal, because while watching director Catherine Hardwicke's and screenwriter Melissa Rosenberg's take on Meyer's teen-vampire tale, it was pretty easy to see what would make the material absolutely irresistible to its target audience. For those of us who aren't its target audience, maybe not so much.

ensemble members in A Wonderful LifeI've seen worse musicals than A Wonderful Life, the Circa '21 Dinner Playhouse's new stage version of Frank Capra's film classic It's a Wonderful Life. I've even seen worse stage versions of It's a Wonderful Life, one of them, produced way back in 1987, at Circa '21.

Don Hazen and Greg O'Neill in The Odd CoupleAs the lights rise on the Harrison Hilltop Theatre's presentation of The Odd Couple, neither Oscar Madison nor Felix Ungar is on stage, though it's clear from the trash-strewn décor that we're in Oscar's living room. Four of the duo's pals are in the midst of their weekly poker game, and eventually one of them calls out to the off-stage kitchen, asking Oscar if he's in or out. Oscar replies, yet before we see him, his voice - moderately high-pitched and a little strangled, and with distinct East Coast cadences - is unmistakable. Oh my God!, you think. Steve Buscemi!

Daniel Craig in Quantum of SolaceQUANTUM OF SOLACE

As much as I enjoyed James Bond's re-invention in Casino Royale, I'll admit I was psyched to learn that the new Bond thriller, Quantum of Solace, was about 40 minutes shorter than its predecessor, which I felt was about 40 minutes too long. (The movie was great fun, but also proof that there can be too much of a good thing.) I presumed that this film's condensed running length would've led to an adventure that was even leaner, speedier, and livelier than director Martin Campbell's 2006 endeavor. So how, despite some fantastic set pieces and the continuing pleasure that is Daniel Craig, does Quantum of Solace wind up feeling about twice as long as Casino Royale?

Elizabeth Paxton, Tommy Ratkiewicz, and Lynn AaronsonA bridegroom - petulant, abused, and unwilling to utter the five words that would please his family most: "I adore hash brown potatoes."

His father - abrasive, tyrannical, and ready to walk out on his family ... though he will be back for mealtimes.

His mother - overbearing, hypochondriacal, and vociferously proud of her questionable child-rearing tactics. ("I gave you your first spanking!")

And the bride-to-be - nearly mute, and the possessor of feet like Shrek's and two noses ... which would be fine if her intended didn't prefer a fiancée with three noses.

Scott Naumann and Michael Callahan in Whacked at da Wedding During a recent interview with Scott Naumann, Kim Eastland, and Jerry Wolking - longtime performers with the Quad Cities' interactive-whodunit organization It's a Mystery - the three routinely crack each other up with memories of overzealous audience participants, randy seniors, and that time when one of their performers, dressed in character, was mistaken for a prostitute at the Rock Island Arsenal Golf Club. ("On a positive note," jokes Naumann, "she made about $750 on the side.")

Greg Bouljon, Sydney Crumbleholme, and Karen Decker in Anne of Green Gables Sydney Crumbleholme, a freshman at Moline High School, plays the title character in the Playcrafters Barn Theatre's current Anne of Green Gables, and I doubt there has been a better, more inspiring piece of casting on area stages in all of 2008.

Brent Gorski and Eli Kranski in Holding TrevorHOLDING TREVOR and ICE BLUES

Even though they share the "gay film" label, the two evening presentations at the Quad Citians Affirming Diversity's November 15 film festival - Holding Trevor and Ice Blues - don't have that much in common: The former is a frequently comedic drama about gay youths in Los Angeles; the latter is a mystery featuring a gay detective in upstate New York.

Yet the movies do share one rather inspiring trait: Instead of making pious assertions that gays are "just as good as everyone else," they make the point - and make it subtly - that gays are just as goofy and messed up and human as everyone else, which is a far more inspiring and realistic message. They also share another trait: Both movies are really entertaining.

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