One of the most difficult challenges directors face when working with a classic - particularly one such as The Wizard of Oz - is maintaining their vision while honoring the cherished memories every audience member holds. Georgia Jecklin, the director of Countryside Community Theatre's production of The Wizard of Oz, accomplished this difficult challenge in a delightfully creative way.
Seascape, the final production of the University of Iowa's Summer Rep season (called "Making Waves: An Edward Albee Festival"), is an interesting variation on a well-worn theme of the playwright: introspection.
Eddie Condon was as much a wisecracker as a guitar player, but when he met Bix Beiderbecke, his irony took the first train. "The players fell over themselves greeting Beiderbecke," he reported in his 1947 memoir We Called It Music.

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