MONEYBALL
On paper, the casting of Brad Pitt as Oakland A's General Manager Billy Beane in Moneyball must have seemed inspired. On screen, it's so, so much better than that. Pitt has, of course, given many wonderful performances over the past two decades (and just as many blandly acceptable or downright dreary ones). But to my mind, his Billy Beane - driven, hopeful, cocky, incensed, funny, tender, and smart as hell - is the actor's first chance to employ all of his gifts in the service of an emotionally expansive, fully shaped character, and Pitt's beautiful and generous work here is truly a sight to behold. Director Bennett Miller's last feature film was his 2005 debut Capote, which netted Philip Seymour Hoffman a Best Actor Oscar. With Moneyball, Miller might find himself batting 2-for-2 for his stars in that category.
Like most professional performers, Chicagoan Nick Semar has a healthy number of musicals on his résumé.
DRIVE
Music
CONTAGION
[Author's note: The following interview with Eddie Staver III was written for
THE DEBT
Music
There's a common misconception that, once the musical- and comedy-filled summer season is over, our area's theatrical output becomes a lot more demanding. But that's absolutely not true. For example, this autumn brings with it the Western charmer Make Me a Cowboy. And the showtune pastiche Give My Regards! And the fairy-tale spoof Honk! And ... .







