THE EXPENDABLES 2

If home viewings of The Expendables 2 are one day turned into a drinking game, and I pray that they are, one of the rules has to be that you chug every time the film employs a thudding cliché from the '80s, either directly or indirectly. A plot involving stolen weapons-grade plutonium? Drink! A team of he-men astonished that a new female recruit can actually do something? Drink! Dolph Lundgren wrestling with a Rubik's Cube? Drink twice!

TOTAL RECALL

Beyond its rather stunning scenic design, the best thing about director Len Wiseman's new Total Recall update is Kate Beckinsale, which is pretty surprising, considering that this admittedly capable, inarguably gorgeous performer really hasn't been the best thing about any of her previous movies.

THE DARK KNIGHT RISES

The Dark Knight Rises, as you've perhaps heard, is the concluding chapter in Christopher Nolan's series of grandly scaled, intensely serious-minded Batman adventures that began with 2005's fittingly titled Batman Begins and continued with 2008's The Dark Knight. It is also, as you perhaps hoped, a terrifically satisfying wrap-up to the trilogy - flawed, at times distractingly flawed, but powerful and resonant and deeply emotional. After my lukewarm responses to The Avengers and The Amazing Spider-Man, I would've been relieved to exit this summer's latest superhero blockbuster merely content. Instead, I left Nolan's 165-minute comic-book epic simultaneously jazzed and sated, and more than ready to see it again.

TO ROME WITH LOVE

After Woody Allen's rather staggering success with Midnight in Paris - personal-best box-office, the man's first Academy Award in 25 years - I guess it was inevitable that critics, as a whole, would greet the filmmaker's follow-up project with a collective "meh." And that's certainly happened with Woody's new To Rome with Love. (Not that it matters, but the comedy is currently sitting with a "45-percent fresh" rating - i.e., "not fresh at all" - at the review aggregator RottenTomatoes.com.)