As most everyone will likely agree, the best thing about 1978's Superman is Christopher Reeve. And happily, though perhaps more arguably, the best thing about writer/director James Gunn's new Superman is David Corenswet, the 32-year-old tasked with breathing fresh life into this costumed crime fighter (and his alias Clark Kent) whom, by this point, we're all too familiar with.

If the sure-to-be-boffo global box office for Jurassic World Rebirth can be trusted, we real-life humans apparently haven't gotten close to bored with dinosaurs. Not all of us anyway.

Why F1: The Movie debuted on June 27 rather than over Father's Day weekend is frankly baffling, given that I can't remember the last time a film was so objectively, overwhelmingly, a Dad Movie

With 28 Years Later, we appear to be exiting the realm of realism and entering the land of the mythic, and I'm not sure that, inspiration-wise, trading George A, Romero for J.R.R. Tolkien is any kind of upgrade.

No one can singlehandedly revive the fading genre of the swoony big-screen romance. Yet with only two features under her belt to date, Celine Song is certainly giving it a good shot.

Originally presented by Francis Ford Coppola and hailed by the Los Angeles Times as "a remarkable film event," director Godfrey Reggio's Koyaanisqatsi enjoys a special June 25 screening as part of Rozz-Tox's community series Filmosofia, this evening in Rock Island also boasting a reading discussion on the movie's philosophical themes hosted by Augustana College's Dr. Deke Gould.

Although the movie isn't very funny until it begins hitting us with its really creative gory deaths, there was a moment not long into director Len Wiseman's Ballerina a continuation being helpfully marketed as From the World of John Wick: Ballerina that made me and others among our Thursday-afternoon crowd laugh out loud.

Launched in 2023 by the Azubuike African American Council for the Arts and taking place in various area locales June 5 through 8, the third-annual Pulling Focus African American Film Festival of the Quad Cities has been designed as a celebration of local film and culture that focuses on enriching the lives of Quad Cities residents, presenting unique film-watching experiences framed through the lens of African American and Black Diasporic voices.

A watershed moment in the history of LGBTQ rights will be explored in a June 10 Gay Pride Month event at the Rock Island Public Library's Watts-Midtown Branch, with the venue hosting a screening of the American Experience episode Stonewall Uprising: The Year That Changed Everything, a Peabody Award-winning work that the Philadelphia Inquirer deemed “an important documentary – and a passionate and compassionate reconstruction.”

You'll rarely hear me complain about a film, especially an umpteenth followup in an apparently endless franchise, being too modestly scaled or too short. However, in the case of this latest installment in the KKU, I do feel obligated to ask: Really? This is it? This whole, paltry, badly shot thing exists simply to get Jackie Chan and Ralph Macchio on-screen together – and even then only barely, and not until almost a full hour has passed?

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