What, exactly, is going on this year?

When the Academy Award nominations were announced in January and Dreamgirls found itself shut out of the Best Picture race, the news was something of a surprise, as the film was widely considered a shoo-in. The bigger shock, though, came from realizing that the snubbed musical still received more nominations than any other film - eight in all - and the last time a film led in Oscar nominations without a corresponding Best Picture nod was ... well, never.

But the Oscar weirdness didn't end there.

The following are the nominations for the 2007 Academy Awards, scheduled to air on ABC affiliate WQAD-TV at 7 p.m. on Sunday, February 25. If all goes the way I think it will (ha ha!), the winner of the most Oscars - a whopping three - will, for the first time ever, be a foreign-language film, and the Best Picture winner will have received the same amount of Oscars as the Best Documentary Feature winner. (That this is even a possibility marks this as a zany-ass year.)

NORBIT

Eddie Murphy's latest latex comedy, Norbit, is an unusual mixture of abject stupidity and sheer genius. If you've seen the previews - and is there anyone left who hasn't? - you've pretty much gleaned the plot, which finds our nerdy, titular hero (Murphy) trapped in matrimonial hell with the punishing, frighteningly obese Rasputia (Murphy again), and yearning to win the heart of his one true love (Thandie Newton). From beginning to end, director Brian Robbins' movie is formulaic, repetitive, obvious, and not nearly as hysterical as it wants to be. It's also one of the few comedies of recent years to be touched with something approximating brilliance.

NOTES ON A SCANDAL

In Richard Eyre's Notes on a Scandal, Judi Dench appears to be having an amazingly fine time playing an evil harridan. Why does the movie itself have to be such a dud? In the film, Dench portrays prickly history teacher Barbara Covett, who becomes pathologically obsessed with Sheba Hart (Cate Blanchett), a younger colleague in the art department. (As Barbara's last name suggests, Eyre's film, based on the novel by Zoë Heller, won't be much concerned with subtlety.) When Barbara discovers that the married Sheba has been carrying on with a 15-year-old student (Andrew Simpson), she uses the knowledge to surreptitiously gain Sheba's trust, in the hopes of turning their friendship into something more, shall we say, Sapphic. Subsequently, threats are made, careers are jeopardized, relationships are destroyed ... and why oh why isn't the movie more fun?