For roughly two-thirds of its length, director David Yarovesky's largely stationary thriller Locked is like 127 Hours if the boulder were played by Anthony Hopkins.

“You know which reviews of yours I really like?” asked a friend not long ago. “The short ones.” Taking that as a compliment for my more succinct pieces and not as the insult it almost certainly was, here are 300-word takes on the half-dozen movies I saw between Thursday and Sunday. They're presented in order of viewing, and preceded by five-word synopses that might, in effect, provide greater impetus to see or ignore said films than the subsequent wordage ever could.

An iconic title from Hong Kong's legendary writer/director Wong Kar-wai enjoys a special screening in the Figge Art Museum's springtime Free Film at the Figge series, with In the Mood for Love, on March 27, treating audiences to a work the New York Times called "breathtakingly gorgeous," and one that was included on Sight & Sound's esteemed list of the greatest motion pictures of all time.

Bong's latest may not be Parasite, but the writer/director's adaptation of Edward Ashton's 2022 novel Mickey7 is still an almost overwhelming amount of fun.

So. Who won Best Actress?

I'm kidding … although the answer to that question did come later than I would've preferred.

I may not have understood all the machinations involved in bringing our aquatic hero back safely, but I believed that Last Breath's helmer and cast knew what they were doing, and in the end, that was far more important.

This is an insane year for the Oscars.

No one could possibly argue that we need more horror movies these days. But I'd suggest that we could always stand to have more in which characters, at the moment of their passing, go splat.

Winner of the Best Environmental Documentary prize at the 2024 Arizona Film Festival and the Audience Award at the 2024 Maui Film Festival, Giants Rising serves as the sixth and final presentation in this year's QC Environmental Film Series hosted by River Action. Its March 2 screening in the Galvin Fine Arts Center of Davenport's St. Ambrose University invites audiences to journey into the heart of America's most iconic forests, the film revealing the secrets and the saga of the coast redwoods: the tallest and among the oldest living beings on Earth.

I don't necessarily mind that, more often than not, new Marvel Studios movies require me to do homework. What bothers me is how often they make me do homework twice.

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