Presented as the latest in a series of groundbreaking feature-length films that celebrate the remarkable achievements women have made in the cinematic arts, director Ava DuVernay's Academy Award-winning Selma enjoys a May 25 screening at Davenport's Figge Art Museum, this 2014 historical drama a work that the New York Times deemed "a triumph of efficient, emphatic cinematic storytelling."

Before seeing Guardians of the Galaxy Vol. 3, I wondered, as I always do with these sorts of “finales” to long-running franchises, how difficult it was going to be to review Marvel Studios' latest without diving into spoiler territory. Thankfully, though, most of writer/director James Gunn's trilogy-ender can be easily discussed without addressing significant plot twists or which of our eccentric world-savers, if any, fail to make it to the end credits. It turns out the stuff that bothered me, which was about 80 percent of GotGV3, is right there in the open.

A Golden Globe winner whose critical consensus on Rotten Tomatoes calls the film "a poignant, well-acted (movie) that marries cultural specificity with universally relatable themes," writer/director Lulu Wang's comedic drama The Farewell will enjoy a Figge Art Museum screening on May 11 in conjunction with the popular exhibition Sporting Fashion: Outdoor Girls 1800 to 1960, the Davenport venue's latest movie series highlighting award-winning, groundbreaking feature films that celebrate the cinematic achievements of women.

Running just shy of three hours and boasting all of its creator's evidently favorite touchstones that include foreboding A-frame houses, headless corpses, and full-frontal nudity for characters you don't necessarily want to see naked, writer/director Ari Aster's Beau Is Afraid is one of those movies that naturally engenders a “love it or hate it” tag. Yet while I can easily imagine audiences either adoring or loathing Aster's impassioned, insanely ballsy (in more ways than one) fever dream, I would argue that it's actually incredibly easy to fall into a middle camp: acknowledging the presentational greatness while also admitting that, in the end, it's a meandering, deeply confused wreck.

“Nicolas Cage is Dracula” is such a tremendous hook, and “Renfield wants to escape his toxic work relationship” such a fantastic premise, that it's truly unfortunate that director Chris McKay's and screenwriter Ryan Ridley's comedy thriller isn't more entertaining than it is.

Over the past quarter-century, there have been periods of time – runs of entire years, even – in which I couldn't have fathomed writing the sentence “I wish Ben Affleck made more movies.” Yet as I was driving home from the phenomenally enjoyable Air Jordan origin story Air, which Affleck directed from a stellar Alex Convery script, that was my primary thought, and I'm not embarrassed to admit it. Well … maybe just a little. The guy still has plenty of turkeys to live down.

Even though I couldn't define “paladin” or “druid” to save my soul, I had no difficulty following the storyline. That was kind of the problem. Though based on a role-playing game and not a comic book, this D&D felt like practically every Marvel storyline I'd been following since 2008.

It's not just that director Chad Strahelski's action thriller is great – that it is, for my money, the first legitimately great movie of 2023. But the laughs that I heard (and contributed to) during my weekday-afternoon showing were frequent and joyous, and our Keanu Reeves-inspired “Whoa!!!”s were boisterous and deserved … and there were only about 20 of us there. I can only imagine, with envy, the seismic fun of sharing this knockout experience with 100-plus others.

A Golden Globe nominee for Best Foreign Language Film that was also named the 30th greatest film of all time in the 2022 Sight & Sound critics’ poll, Céline Sciamma's French romance Portrait of a Lady on Fire will enjoy a Figge Art Museum screening on April 6 in conjunction with the exhibition Sporting Fashion: Outdoor Girls 1800 to 1960, the Davenport venue's latest movie series highlighting award-winning, groundbreaking feature films that celebrate the cinematic achievements of women.

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