The experience of director Simon Curtis' Downton Abbey: A New Era is nothing if not exceedingly comfortable, even if there's little that's remotely New about it.

Damned if I didn't grin and giggle at Family Camp from the very start, and damned if I didn't get misty-eyed on a couple of occasions – though given the film's leanings, I should probably be saying “darned." I'll try to remember that if, or more hopefully when, we get a sequel.

Arriving in the midst of a franchise extender almost shockingly bereft of weirdness, one scene in Doctor Strange in the Multiverse of Madness did manage to completely surprise and tickle me.

Winner of the Special Jury Prize at the 2012 Sundance Film Festival and recipient of an “A” rating from Entertainment Weekly, the acclaimed Ai Weiwei: Never Sorry enjoys a May 12 screening at Davenport's Figge Art Museum as part of the venue's Film at the Figge series, this fascinating study of the noted Chinese artist and activist also cited by the National Board of Review as one of its year's five best feature documentaries.

Martin Campbell's Liam-Neeson-with-a-gun revenge thriller isn't necessarily a good movie, but compared to four-fifths of its Irish headliner's big-screen blood baths, it's definitely an improvement.

The Northman is a period action drama with supernatural leanings that's five times bloodier than Braveheart, nearly as nutty as The Green Knight, and just as divisive as you'd expect from the filmmaker whose two previous features were the talking-goat freakout The Witch and the two-man fever dream The Lighthouse.

When last we encountered the many heroes and villains of J.K. Rowling's Fantastic Beasts series, the screenwriter/producer's pre-Harry Potter assemblage of wizards and Muggles was … . Um. I'm sorry, but does anyone recall what was going on with these people at the end of their 2018 film? More to the point: Does anyone care?

Winner of the Best Documentary citation at the Raw Science Film Festival and the Grand Jury Award at the Greenport Film Festival, the informative, entertaining documentary Microplastic Madness serves as the final presentation in River Action's 2022 Environmental Film Series, the Figge Art Museum's April 24 offering lauded by Film Threat as a work that “bleeds authenticity” and “demonstrates the level of passion and activism that can lead to actual change from younger generations.”

I've loved a number of movies released over the past 10 months. But not since The Mitchells vs. the Machines have I been as over-the-moon in love with a movie the way I am with Everything Everywhere All at Once, which just might be the only sci-fi/martial-arts/time-travel comedy you'll ever see that also boasts an emotional power to make you cry – a lot.

Patrons of the Figge Art Museum's "Films at the Figge" series will be treated to both an Academy Award nominee and an Emmy Award nominee on April 14 when the Davenport venue hosts screenings of two critically lauded documentaries about disparate artists: Cavedigger, an exploration into the work of sculptor Ra Paulette, and Which Way Is the Front Line from Here?, a salute to the late, Oscar-nominated photo-journalist Tim Hetherington.

Pages