Portland, Oregon, is creating some unique breeds these days. The Epoxies are the resurgence of an inescapably pleasurable combination of punk and new wave, and the result on the band's self-titled debut is really short and upbeat songs, flashy hooks, very competent musicianship, and damn smart, simple lyrics.
On the downslide from pop stardom, a funny thing happened to John Mellencamp: He became a damned good songwriter and produced a couple of the strongest (and most underrated) rock records of the 1990s. People who wrote off the Indiana-bred singer from his "John Cougar" and "John Cougar Mellencamp" days have missed the development of a high-caliber songwriter and pop craftsman who has never abandoned his heartland roots but has still shown a willingness to stretch.
The November 2 Quad City Symphony Orchestra (QCSO) concert had it all: a dazzling North American premiere, an audience favorite, and an emotional roller coaster. And aside from isolated errors, the performance was technically sound.
Get ready for some great blues coming to the Adler Theater on Monday, November 4. Billed as the "Front Porch Blues" show, the stellar lineup includes Elvin Bishop, Charlie Musselwhite, Henry Butler, Corey Harris, and Deborah Coleman.

NOT FOR SALE:

Lumpy’s was jumpin’ again as Asiasis rocked the back room. Pat Simpson had a concept and Drew Irion, John Clark, Tony Lujan, and Shawn Skriver all made it theirs, too. “No Dokken, Poison, or Motley Crue; we’re all original.

Not for Sale

Lumpy's was jumpin' again as Asiasis rocked the back room. Pat Simpson had a concept and Drew Irion, John Clark, Tony Lujan, and Shawn Skriver all made it theirs, too. "No Dokken, Poison, or Motley Crue; we're all original.
Minnesota-based WookieFoot might be the greatest party band in the world - a high-energy mix of a stunning yet accessible musical mishmash and a stage presentation that looks to be as much circus as concert. The band will be making its first visit to the Quad Cities on Friday at RIBCO, and be prepared to be wowed by the showmanship.
The first Quad City Symphony Orchestra (QCSO) chamber concert of the season was an atmospheric start to what sounds like another excellent sub-season. With works by Brahms, American composer Arthur Foote, and Bach, the program offered something for everyone and above-average performances by the symphony’s best players.
On its forth studio effort, Evolution, Liquid Soul delivers about what you'd expect: unbelievably tight arrangements, wizardry in soloing, and funky beats to boot. What you might not expect are the newest influences launched into the ever-changing stylistic universe of the Chicago-based septet, including a welcome infusion of world music, R&B-heavy grooves, and a surprising venture into the world of techno.
Though many people were probably filled with anticipation for the Quad City Symphony Orchestra season opener this past weekend, the Saturday concert turned out to be a mixed bag. In an all-Beethoven program, the first half featured an unfortunate and grim Symphony No.

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