Chris Vallillo Chris Vallillo studied archeology in college, but when that didn't suit him professionally, he decided to give music a shot.

"I figured if I was going to starve, I was going to go ahead and try to play music and just see if I could make a living at it," he said in an interview last week.

But Vallillo's vocational choices aren't all that different: Both archeology and the study of folk music involve the excavation of artifacts to help illuminate the way people lived deep in the past. Vallillo - a singer, songwriter, guitarist, and folklorist based out of Macomb - is one of the main-stage performers at the Midwest Folk Festival this weekend in Bishop Hill, Illinois.

When most people hear the phrase "folk festival," they think of idealistic and liberal white people with acoustic guitars. The Midwest Folk Festival at Bishop Hill this weekend will have a few of those, but it's more of a folklore festival, highlighting ethnic and traditional arts.

So in addition to those acoustic guitars, the Midwest Folk Festival will feature Latin American music, the santur (the Iranian hammered dulcimer), the pipa (a Chinese stringed instrument), and the Irish fiddle. And its conception of "American" music is broad as well, with Delta blues, Cajun, and Creole styles.

591_coverthumb "I'll tell you a cute little story," began Ray Voss, president of the Bix Beiderbecke Memorial Society. "There used to be an author in town, who passed away a few years ago. His name was David Collins. And he's written about 75 books - mostly for children - and he was also a teacher. Rich Johnson [the Bix society's music director] had been trying to get him to write a book about Bix, and he never wanted to do it.

"But one day in [Collins'] class, he said, 'Does anybody know who Bix Beiderbecke is?' So one kid got up and said, 'Yeah. He's the guy that's named after a run.'"

Voss then laughs, and says, in reference to 1998's Bix Beiderbecke: Jazz Age Genius, "So Dave got busy and wrote this really nice little book."

That is a cute little story.

So ...

... how many of your kids think Bix is named after a run?

 

Quad City SoundBoard logo Skepticism is often confused for cynicism, but the resistance that Quad City SoundBoard is running into seems to genuinely fall into the latter category.

SoundBoard, which was born roughly two years ago but has only solidified its organization over the past six or seven months, is a grassroots attempt to promote the local music scene. The group aims, said Vice President Tim Hobert, "to create a resource for the Quad Cities music community."

Mike Morgan & the Crawl Think about Sade, the cool and exotic British chanteuse known for "Smooth Operator." Now consider the "Texas Man" with an eye patch, Mike Morgan, whom Guitar World called "a genuine blues guitar hero" known for his incendiary playing. Mike's got all Sade's records and loves her jazz band.

And on his next album, which is currently in pre-production, "I've got one song I could really hear her recording," he said in a recent phone interview.

That's in addition to Morgan-penned numbers such as a "radio-friendly rootsy-rock song" that he and his band the Crawl have tried out live, an Otis Redding-like ballad, a couple of R&B "Al Green-ish-type things," a Louisiana-style ballad, a few shuffles, some "funky things," and "a Marvin Gaye ‘What's Goin' On' thing - I've never recorded anything like that."

A lot of 14-year-olds pick up an instrument to emulate their idols. It's just not often they choose the harpsichord.

But that's what George Shangrow did, and decades later, he's the director and founder of Orchestra Seattle and the director of the Seattle Conservatory of Music. This weekend he's performing on the piano and harpsichord as one of four musicians in the Black Hawk Chamber Music Festival.

The "Mostly Mozart Festival" celebrates the 250th birthday of the composer with two concerts each at Moline's First Congregational Church (on July 28 and 30) and Iowa City's Congregational Church (July 29 and 31).

River Cities' Reader Music GuideIn conjunction with this year's Music Guide, the River Cities' Reader has added new music-related features to its Web site.

You might notice that our print Music Guide no longer lists local bands, bars, and performance venues. That's because we've shifted that content to our Web site. As a result, it's searchable, and registered users can claim and edit their listings or create listings for their new bands or venues. In other words, the people who have the most to gain from accurate listings - whether they're bands, bars, or restaurants - will ensure that our database is as comprehensive and up-to-date as possible.

It should come as no surprise that the District of Rock Island has secured terrifically talented bands for its eighth annual Hornucopia festival, taking place on Friday, July 14, and Saturday, July 15. If you've attended Hornucopia in the past, you know the drill: two stages showcasing the finest in R&B, funk, soul, jazz, rock ... basically, any genre that incorporates a little brass. As the festival's motto states, "If it has horns, you'll find it at Hornucopia."

Gray Wolf Band No surprises there. But while researching the first group to perform this weekend - local favorites The Gray Wolf Band, whose set begins at 5 p.m. on Friday - I was floored to discover that drummer Tom Drabek not only served as Alpine Race chairperson for several U.S. Ski Association events, but is a former Special Forces Green Beret, to boot. And he's not the only Gray Wolf performer with an interesting history. According to the group's Web site (http://www.graywolfband.com), Kenny Carleton began his musical career at age 18, playing bass on riverboat cruises with his brother; Jim Ryan, employing the Isabel Bloom technique, has spent two decades years making original concrete sculptures; and Larry Burns has been described as "the biggest rock star that no one has ever heard of."

So much I didn't know about these classic-rock performers! What other gems could I unearth if I did a little Web-site digging on the Hornucopia bands?

Ari Brown Jazz saxophonist, pianist, and educator Ari Brown - part of the avant-garde scene in Chicago - will perform with his quartet at the Redstone Room of the River Music Experience in downtown Davenport on July 16. Brown will conduct a workshop at 3 p.m. and perform a two-set concert starting at 6 p.m. Admission to the workshop is $10, while concert tickets are $15.

If you never stretch, you'll never know what your limits are. Muscatine band Burnt Ends stretches a lot, and - as the group's new album Trip the Dandy nears its end - finds its limit. To put it bluntly: On an otherwise sure-footed album that rarely plays it safe, the rapping was a terrible choice - incongruous and baffling.

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