Hello and welcome to the 21st Annual I.H. Mississippi Valley Blues Festival. As is apparent from the name, the biggest change for this year will be the addition of "I.H." to our festival name. This addition of course stands for the I.
Part of the Ike Turner philosophy is that he'll play with just about anybody. For example, he appears on a few tracks on an album that was released last month. "They knew me, but I didn't know them," Turner said.
Some bands are not cut out for the recording studio. They're great live, but when they get in that soundproofed room by themselves, they can't translate the energy. Often, the performances on studio CDs are too dry, and they reveal deficiencies in the songs that an audience isn't going to notice at midnight with a few drinks in them.
Mark Brenny of Brenny's Motorcycle Clinic has been building the annual Sturgis on the River festival into the Quad Cities' best showcase for local bands. And this year he's topped himself.
For last year's event, Brenny booked roughly 40 bands on three stages.
With the Blues Festival just two weeks away, it's crunch time for the Mississippi Valley Blues Society (MVBS). There are travel, lodging, security, and logistical concerns to address, contracts to finalize, and volunteer lists to compile.
At Gumbo Ya Ya, the food might be hot, but the music is always hotter. (Quite a feat for an event serving Cajun sausage and spicy boiled shrimp.) That truism will certainly apply to this weekend's annual Mardi Gras in the District festival, at which nine bands will deliver crowd-pleasing performances of Cajun, zydeco, blues, funk, rock, soul, hip-hop, R&B, and reggae music.
Dreams certainly do come true for new country music trio Sugarland, which will play on Saturday, June 11, at Quad City Live. The band's debut album, Twice the Speed of Life, recently went gold and has had two top-15 singles.
Bringing American music back to its roots, The Old Scratch Revival Singers tackle heady themes of damnation, salvation, and ... drinking in their songs. A Christian spirituality permeates the band's music, distinguishing it from many of its more heathen rock-and-roll brethren.
Lon Bozarth would seem to have a lot of talents, with his extensive background in the live-music scene of Austin, Texas. Being gentle, politic, and modest aren't among them. Neither is making small plans. In those ways, Bozarth is a stereotypical Texan - straight-talking and thinking big.
Neko Case has an enviable career. She is a siren whose seductive voice might be the single most alluring instrument in music today - clear, robust, sexy, self-possessed, and expressive, with an endearing hint of nasally imperfection.
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