Images by Scott Klarkowski from Friday's Michael Bublé set at the i wireless Center.

For more of Klarkowski's work, visit KlarkPhoto.com.

This year's Mississippi Valley Blues Festival - co-sponsored by the River Cities' Reader - will be held July 1 through 3 in downtown Davenport's LeClaire Park. The event features 27 acts spread over two stages, and the music begins at 5 p.m. on Friday and 2 p.m. on Saturday and Sunday.

In the links that follow, you'll find interviews with five of this year's performers.

In addition, the full festival schedule can be found on the back page of this week's River Cities' Reader or at MVBS.org/fest.

Advance tickets - $17 for a single day and $50 for the weekend - are available through June 30 at the Adler Theatre box office, Ticketmaster outlets, and local Hy-Vee stores. Admission at the gate is $20 per day. Children 14 and younger are admitted free with a paid adult.

Paul Smoker

It would be hard to argue that acclaimed trumpet player and bandleader Paul Smoker isn't an ideal local-musician-makes-good choice for the 2011 Mississippi Valley Blues Festival. After all, the 70-year-old was raised in Davenport, performed in numerous Quad Cities nightclubs (starting at the tender age of 14), and earned four degrees from the University of Iowa, including a doctorate in music.

Granted, if you were feeling particularly quarrelsome, you could note that Smoker isn't a blues musician, as he freely admits. But while he and his bandmates - the four-man ensemble the Paul Smoker Notet - will be performing at this year's festival in the annual slot reserved for jazz artists, it's not as though the blues is a genre he's unpracticed in.

Nellie 'Tiger' TravisWhen Nellie "Tiger" Travis sang "Wang Dang Doodle" - Koko Taylor's signature hit - she could never hit the high notes in the chorus: "We gonna pitch a wang dang doodle all night long."

"I always did it down low," Travis said in a recent phone interview. Then came Taylor's funeral in 2009.

"I hit the high note for the first time ever," Travis said. "That day, it just came out like that. ... I do it all the time now. ... I can't explain it. I don't know if it was a spirit thing, or if I was just so full until it just came out ... . I just know I hit it now."

"Is he soul? Is he blues? Is he gospel? Yes, and he has become an iconic figure in all those genres." - Chicago Sun-Times

Otis Clay

"I've always been a bit open-minded about the music," Otis Clay said in a recent phone interview. He recalled that when he first went professional, he performed a genre of music called jubilee that included show tunes alongside gospel. "In the '60s we would be all up in the Catskills during the week, and do churches on Sunday. I had done secular even then. [But] I never left gospel. It was all mixed up in there."

That genre-blending had begun even before Clay - who will receive the Mississippi Valley Blues Society RiverRoad Lifetime Achievement Award before his July 3 festival performance - started touring when he was 18. Born in Waxhaw, Mississippi, in 1942, Clay started singing in the church at four, but even then he was also getting a different music education. "My father was an entrepreneur - he always had a juke joint, and my mother was very religious. But ... for the Saturday-night fish fries, she would cook and sell sandwiches," Clay said. There he would listen to John Lee Hooker, Muddy Waters, and Howlin' Wolf on the jukebox. He was seven years old when he experienced his first live concert: Muddy Waters in Clarksdale.

The Lionel Young Band

With his 2008 victory in the solo/duo division, and his six-man ensemble's 2011 triumph in the band category, Lionel Young stands as the first double winner in the history of Memphis' International Blues Challenge (IBC). Meanwhile, the reviews that he and his Lionel Young Band have amassed would seem to back up the IBC's choices; Blues Blast Magazine wrote that the group "deserve[s] a place on your must-see list," and American Blues News called Young himself "an entertainer's entertainer."

Yet even given his awards and plaudits, this Colorado-based musician - one of the genre's few professional violinists - understands the importance of daily practice, and not just at the blues elements you might expect.

"Most people play loud and proud all the time," says Young during a recent phone interview. "Especially in the blues. But in any music, just like in any conversation, dynamics play a very important part. You know, when people want you to pay attention to what they're saying, they can either yell at you, or they can say something re-e-eally quiet. If you say something really quiet, people listen a lot harder.

Eric Gales

You wouldn't know it from his discography, but 2010's Relentless marked a comeback for the blues-rock guitarist/singer/songwriter Eric Gales. The Story of My Life was released in April 2008, and its follow-up came this past July - a pretty standard interval in the music business.

But there's a hint of his troubles on Relentless' lead track, "Bad Lawbreaker," on which he sings: "I'm a bad lawbreaker / Three strikes ain't enough for me."

In between those two albums, Gales served 21 months of a three-year sentence for violating the probation he received in 2006 for drug and gun charges. "I was smoking weed on the road and I didn't want to risk them telling me to come home in the middle of the tour" because of a dirty urine sample, he said in a recent phone interview. "I just said to myself, 'I'll deal with it when I get home.'" So he turned himself in after the tour and was sent to prison. (He couldn't play a guitar for his first six months of incarceration but - because of the intervention of a warden who knew who he was - eventually led a prison band.)

Images by Scott Klarkowski from June 18's John Prine set at the Adler Theatre. Click on any photo for a larger version.

For more of Klarkowski's work, visit KlarkPhoto.com.

Skye Carrasco

For her forthcoming debut album, violinist, songwriter, and singer Skye Carrasco initially thought big. "I had envisioned all these different instruments - piano, trumpet, trombone, string bass, maybe even some accordion," she said in a phone interview promoting her June 17 Rozz-Tox show.

"It ended up being much simpler that I had originally imagined," she said. "As I recorded the songs - the vocals and the violin parts - ... and really listened to them a lot, ... we decided that perhaps we should start with some drums and electric bass."

That's where it started, and that's where it ended. The first half of the album - which the Iowa City resident hopes to release this fall - is so lightly adorned that it might escape listeners' notice until the relative cacophony of "Empty Buckets." That track signals a distinct change in tone, from elegantly lyrical to abrasive and often discordant.

Chris Dertz of Bedroom Sons

It's not often that a performer who sings and wields an acoustic guitar - and who writes songs - will claim not to be a songwriter. Modest ones say they're still learning the craft. But Chris Dertz - half of the acoustic-guitar-and-drum outfit Bedroom Sons, which will be performing at Rock Island's Rozz-Tox on Saturday - won't even go that far.

"I don't really think of myself as a songwriter," said Dertz, who grew up in Woodhull, Illinois (halfway between the Quad Cities and Galesburg) and now lives in DeKalb, Illinois. "They just kind of come through me from wherever they come from. ... I don't really know where they come from."

And once he's got them down - which usually takes half an hour, he said - they're finished. "Sometimes it feels like I might be cheating them by not giving them their due time to sit with them and think about what they are, what could be changed to make them better. But usually, songwriting is a very isolated incident for me. It's hard for me to start writing a song and then come back to it weeks later. When it comes, I have to sit down and capture it."

Dertz considers himself a performer rather than a songwriter. "I think it's less about creating different sounds for people to hear live than it is just trying to be as energetic as possible and give people something compelling to watch," he said. "When I was playing solo, there was rarely a show where I didn't break something."

Lest you think that Bedroom Sons involves Dertz and drummer Ben Gross thrashing about with no larger purpose, it must be said that Bedroom Sons' new EP, Father, is an adept blend of the acoustic oddity of Neutral Milk Hotel and the unfiltered, direct rage of Against Me! In six minutes, the first two parts of "My Blood" build from warm memory to anger and then collapse into spent reverie. The rawness and soft/loud/soft dynamics of "Frozen to the Bone" suggest Nirvana through an Americana filter.

Dertz does a lot of distortion on his acoustic guitar, but other elements of the recording - the organ and horns, for example, of "My Blood Part 1" - are discarded for performance. "A lot of the stuff, compared to how it sounds on the EP, will probably sound kind of bare-bones to people live," Dertz said, "but I think that's part of what makes the show unique. It's all about putting out a bunch of energy to try and make up for any instrumentation that's lost."

But he admits that the band's aesthetic has pragmatic roots. "Nobody knows who I am at all," he said. "I wanted something that would grab a bunch of people's attention but that didn't have all the things you have to work around with your traditional four- or five-piece band. ... It just simplifies things, and I think, for my songs, two people is really all that's necessary to play them well ... ."

Bedroom Sons will perform at Rozz-Tox (2108 Third Avenue in Rock Island) on Saturday, June 11. Cover for the 9 p.m. show is $5, and the bill also includes Carver and Jeremy Suman.

For more information on Bedroom Sons, visit Facebook.com/bedroomsons. The Father EP can be downloaded for free at BedroomSons.BandCamp.com. Chris Dertz's solo recordings can be downloaded for free at ChrisDertz.BandCamp.com.

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