(Other coverage of River Roots Live 2011 can be found here.)

Nikka CostaFor the video promo for her song "Chase the Thrill," Nikka Costa said she and the director "just got in my bathroom and went for it."

Lest you think that something dirty happened, "went for it" in this case means re-creating the famous shower scene from Psycho, with Costa in the role of Marion Crane.

Also on her "Nikka's Box" YouTube channel (YouTube.com/user/nikkasbox) is a Rocky-style training video and "Streaking Nikka," in which the topless rock/soul singer (naughty bits obscured) encourages viewers to check out her new EP Pro*Whoa. "What's a girl gotta do to get her music heard?" she asks.

Such is the existence of Costa, who will close River Roots Live with an 11 p.m. set on August 20. She is now operating independently after a successful music career as a child (she is the daughter of producer Don Costa) and well-reviewed albums as an adult on Virgin and Stax. (Entertainment Weekly called 2001's Everybody Got Their Something an "intoxicating starburst of self-affirming R&B" and "an audacious, fresh-as-a-daisy debut," while the All Music Guide said its follow-up features songs that are "muscular, funky, and imaginatively arranged ... .This is big, dynamic music that cries for a big audience ... .")

(Other coverage of River Roots Live 2011 can be found here.)

The Apache Relay

For its second record, The Apache Relay - which will perform on August 20 at River Roots Live - initially tracked 10 songs in early 2010. But the band sat on the record - preferring a 2011 release to a late-2010 one - and that layoff prompted singer/songwriter Michael Ford Jr. to write new songs.

"I felt like in my heart of hearts that I had songs that needed to be on the record that hadn't been written yet," he said in a phone interview last week. "I felt like I had better in me. ... I wanted to write better songs."

So in the fall they tracked a handful of songs - some new, some different versions of previously recorded songs - and the fusion of those two sessions is American Nomad, which Nashville Scene called "exuberantly tuneful" and "irresistibly idealistic."

The final version of American Nomad only ditched two songs - "Sets Me Free" and "Lost Kid" took their places - but the band's decision to hold off on the record is one indication of the The Apache Relay's maturity. Even though the band is young - Ford is 23 - and has been around just two years, it seems and sounds far more experienced.

River Roots Live will take place on Friday, August 19, and Saturday, August 20, in LeClaire Park on the Davenport riverfront. The festival will feature 17 bands on two stages and will be headlined by Gin Blossoms (on Friday) and Blues Traveler (on Saturday). Admission is free, and the event also features Ribfest. Full event details are available at RiverRootsLive.com.

Below is the full entertainment schedule, with links to new interviews with Blues Traveler, Nikka Costa, and The Apache Relay - all performing on Saturday - as well as to previous River Cities' Reader articles on some of the artists.

William Elliott Whitmore

William Elliott Whitmore's music is simple in structure, with basic chords and cadence. But the messages in his new album, Field Songs (released July 12), run much deeper. Pensive lyrics explore the relationships between human life and nature, and the universal connection between all living things.

But don't mistake his songs for clichés. Whitmore's sentiments are delivered with such candor and conviction that listeners might feel they're experiencing the emotions firsthand.

Four photographers offered us their images from the 2011 Mississippi Valley Blues Festival, and here's a sampling of their work, covering 18 Blues Fest acts. Many thanks to Cole Carrara, Steve France, Scott Klarkowski, and Norman Sands for sharing their work. (Sands' full Blues Fest gallery can be found here.)

Eric Gales

Otis Clay

DelGrosso/Del Toro Richardson Band

Dwayne Dopsie & the Zydeco Hellraisers

Ryan McGarvey


Koko Taylor Tribute

Paul Rishell & Annie Raines

The Way of the Blues Revue

Chris Beard


The Candymakers

Linsey Alexander

The Paul Smoker Notet

Chocolate Thunder

Mississippi Heat

Peaches Staten

R.J, Mischo with Earl Cate & Them

Sherman Robertson

Studebaker John & the Hawks

The audience

Jonathan Tyler & the Northern Lights

Jonathan Tyler has described his band's major-label debut, Pardon Me, as a "handshake album" - an introduction.

But unlike that description or the apologetic title, there's nothing polite about the full-bore rock produced by Jonathan Tyler & the Northern Lights - which will perform at the Redstone Room on July 7.

USA Today concisely summarized the appeal of the band in naming Pardon Me a pick of the week last year: "Did you think they'd quit making bands that groove as hard as they rock? You know, like ZZ Top, Lynyrd Skynyrd, and Aerosmith? Listen to this riff-heavy blast, the title track from this band's debut album, and think again."

Cody and Luther Dickinson

The North Mississippi Allstars' Keys to the Kingdom - released in February - was recorded and partly written in the wake of the 2009 death of Jim Dickinson, father to the band's brothers Luther and Cody and a noted producer and musician himself.

But the opening three songs should banish any thought that the album is a somber affair. Even when facing mortality straight-on, there's a joyful noise inherent in the band's blues-based music. And that will surely be evident when Luther and Cody Dickinson perform on Friday in a North Mississippi Allstars duo show at the Redstone Room.

From the sturdy blues of album opener "This A'Way" to the angry kiss-off of "Jumpercable Blues" to the gospel-tinged celebration of "The Meeting" featuring guest vocals by Mavis Staples, this is the sort of meaty roots music that earned the band multiple Grammy nominations and a Blues Music Award. The Chicago Tribune's Greg Kot said that the album is the band's best since its 2000 debut: "The Allstars play with unassuming ardor, letting the rawness seep through the edges of the arrangements. Drummer Cody Dickinson in particular delivers exactly what each song needs, nothing less, and keeps things swinging. It's the kind of unsentimental yet passionate tribute a musical legend and family cornerstone would surely appreciate."

Images by Scott Klarkowski from Friday's Michael Bublé set at the i wireless Center.

For more of Klarkowski's work, visit KlarkPhoto.com.

This year's Mississippi Valley Blues Festival - co-sponsored by the River Cities' Reader - will be held July 1 through 3 in downtown Davenport's LeClaire Park. The event features 27 acts spread over two stages, and the music begins at 5 p.m. on Friday and 2 p.m. on Saturday and Sunday.

In the links that follow, you'll find interviews with five of this year's performers.

In addition, the full festival schedule can be found on the back page of this week's River Cities' Reader or at MVBS.org/fest.

Advance tickets - $17 for a single day and $50 for the weekend - are available through June 30 at the Adler Theatre box office, Ticketmaster outlets, and local Hy-Vee stores. Admission at the gate is $20 per day. Children 14 and younger are admitted free with a paid adult.

Paul Smoker

It would be hard to argue that acclaimed trumpet player and bandleader Paul Smoker isn't an ideal local-musician-makes-good choice for the 2011 Mississippi Valley Blues Festival. After all, the 70-year-old was raised in Davenport, performed in numerous Quad Cities nightclubs (starting at the tender age of 14), and earned four degrees from the University of Iowa, including a doctorate in music.

Granted, if you were feeling particularly quarrelsome, you could note that Smoker isn't a blues musician, as he freely admits. But while he and his bandmates - the four-man ensemble the Paul Smoker Notet - will be performing at this year's festival in the annual slot reserved for jazz artists, it's not as though the blues is a genre he's unpracticed in.

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