Uncle John's Bathroom Reader Better than an old Sears, Roebuck catalog nailed to the outhouse wall, the Bathroom Readers' Institute Press knows that sometimes a hearty morning constitutional goes better with reading material. So far they've printed nearly 20 volumes of their Uncle John's Bathroom Reader series, just releasing the latest: Uncle John's Bathroom Reader Plunges Into Music. I feel sorry for big families if there's a music-trivia nut in the bunch, as the 516 pages are packed with factual frivolity, sure to keep the "occupied" sign up for a while. From nuggets about unsung heroes such as Motown's Funk Brothers to musical word origins to rockers who died young to the first record purchases of major stars to Cab Calloway's jive dictionary, this and a pack of matches might be the perfect gift for Uncle Stinky.

Reeve CarneyThe first sound on the EP Nothing Without You has the full-throated force of Robert Plant, and it leaves a strong impression.

Anywhere I Lay My Head Another actress crosses over into music next week with the release of Anywhere I Lay My Head from Scarlett Johansson. Featuring one original track, "Song for Jo," co-written with David Sitek of TV on the Radio (who also serves as producer and player), the rest of the CD consists of interpretations of songs by Tom Waits. Guests include Nick Zimmer of the Yeah Yeah Yeahs, Sean Antanaitis of Celebration, and David Bowie on two tracks: "Fannin' Street" and "Falling Down."

Ben Kenney, left, and his bandIf you want to see the full extent of Ben Kenney's talent, check out his video for "Eulogy."

In the clip (http://www.youtube.com/watch?v=47fzpzNOcw0), the bassist for Incubus and the former guitarist for the Roots sings and performs guitar, bass, and drums - at the same time in four different panels.

ColdplayColdplay fans should seek out the latest issue of Britain's New Music Express magazine and quickly surf to the band's Web site. The May 10 issue of NME features a free bonus seven-inch single of "Violet Hill" with a non-LP B side, "A Spell a Rebel Yell," and details can be found online about securing tickets to the band's free show at the Madison Square Garden on June 23.

Two years ago, British music journalist Will Hodgkinson crossed over from gazing wannabe to playing musician by teaching himself guitar in six months and documenting the journey in the book Guitar Man. The Da Capo Press has recently published his follow-up, Song Man, with the author writing his own song and recording it as a single. Subtitled A Melodic Adventure, or, My Single-Minded Approach to Songwriting, Hodgkinson cashes in on his Rolodex as a writer for Mojo and the Daily Telegraph and enlists superstars for encouragement and insight, from Keith Richards to Ray Davies to Chan Marshall.

Martin Sexton If you're listening to Martin Sexton's Seeds and occasionally find yourself confused by the lyrics, don't despair.

The 2007 album, Sexton's first non-live-performance, non-holiday album since 2000's Wonder Bar, was made differently from his previous work.

"This was the first record I ever did where I didn't have everything written, lyrically, when I was making the record - the first record I didn't do live, basically," he said in a recent phone interview. "I had the music, and I'd have, say, the chorus of a song, but I didn't have the lyrics. So I figured if I make the record, that'll be the little flame under my feet to finish the tunes."

Neil Hamburger Sad, tortured and painfully blundering, the acquired taste of Neil Hamburger and his stand-up routines are deliciously subversive, much to the delight of Tom Green and musicians Tenacious D, for whom he opened for on the group's international Pick of Destiny tour. Channeling Pat Paulsen, William Shatner, and Andy Kaufman, Hamburger's latest anti-humor antics snuggle up to the heartland, looking for love and a little respect in Neil Hamburger Sings Country Winners, out this week on the Drag City Records imprint. And not since Ween sucked on a sprig of hay dipped in PCP in 1996 with 12 Golden Country Greats has country music been strangled so wonderfully. Backed by a killer barnyard band featuring Tubes drummer Prairie Prince and Link Wray bassist Atom Ellis, Hamburger chews up (and spits out) the bucolic landscape with tear-jerkers "Please Ask That Clown to Stop Crying" and "Three Piece Chicken Dinner." He holds hands with the eternally despaired in "Garden Party II" and turns in a wild cover of John Entwistle's "Thinkin' It Over" (from his 1972 Whistle Rhymes album). Do a YouTube search for the video of "Jug Town" and catch the fever.

Elvis Costello & the Imposters - Momofuku This Saturday, the best brick-and-mortar record retailers across North America have organized a holiday of sorts in their own honor. Log on to (http://www.recordstoreday.com) to find out what shops in your area are participating, with a variety of special events and cool stuff that can't be squeezed through the Internet. Happenings include in-store appearances by Metallica, Panic at the Disco, Allison Moorer, Regina Spektor, Will Oldham, Thrice, Marshall Crenshaw, Steve Earle, Black Rebel Motorcycle Club, and Peanut Butter Wolf. Many participating stores are offering deep discounts and are the only place you'll find Record Store Day-only releases on vinyl from Stephen Malkmus & The Jicks and others who haven't forgotten that the old days were maybe the best ways.

Reader issue #679 On March 8, the Quad City Symphony Orchestra announced that Mark Russell Smith would be its new music director and conductor. And as the Minneapolis-based musician serves as artistic director of orchestral studies at the University of Minnesota, director of new-music projects for the St. Paul Chamber Orchestra, and music director for Virginia's Richmond Symphony Orchestra, his current positions alone made him sound an appropriate, and sufficiently intimidating, choice.

Yet a day before our recent phone interview, Smith received an e-mail from the Quad City Symphony Orchestra that managed to intimidate even him - a document, he says, titled "Repertoire from 1917 through 2007," listing every piece the venerable area institution has performed publicly during those nine decades.

Wow, I say.

"I know," he says. "It's a little light reading."

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