Roadwork: Rock and Roll Turned Inside Out Tom Wright's life story in the new photography book Roadwork: Rock & Roll Turned Inside Out is one of those magical, right-place-at-the-right-time tales that leaves one grinning from ear to ear in envy. A schoolmate of Pete Townshend in 1962, Wright's gig as tour photographer for The Who in 1967 opened the doors for decades of intimate access and impromptu backstage portraiture with Rod Stewart, The James Gang, and the Rolling Stones. The Hal Leonard Books hardcover edition is a mix of anecdotes and excesses from the Wild West days of rock, printed on tasteful archival cream paper.

Tim StopulosIn his biography, Bettendorf native Tim Stopulos lists influences that range from Beethoven to Maroon 5, a bit of youthful overreaching that you might expect from a 23-year-old.

Yet there's a quote in the bio that strikes a chord, and puts Beethoven and Maroon 5 in a context that makes sense in light of his second album, The Long Drive Home. Music, Stopulos says, "definitely became an emotional outlet for me, but I also fell in love with the mathematical and logical side of the music as well."

The Holmes Brothers The Holmes Brothers have always had an eclectic style. Wendell, the guitar player and raspy-voiced singer, once told me that so many hours touring in the van acquainted them with all kinds of music. I can just hear them, all three singing along to whatever they happen upon on the radio, trying it out later live and then in the studio with their own gospel spin.

Share This Place The soundtrack to a fascinating multimedia performance with a bug's eye view is released next week by indie stalwart K Records. Commissioned earlier this year by the Portland Institute for Contemporary Art, Mirah & the Spectratone International's Share This Place is a cool collaboration with Kyle Hanson and Lori Goldston of Black Cat Orchestra, boasting a genesis that goes back to the observations of 19th Century entomologist J. Henri Fabré. The trio's parlor-room folk of lush vintage instruments accompanies filmmaker Britta Johnson's faux-insect stop-motion film - a taste of which can be found at (http://www.lorigoldston.com/sharethisplace.htm).

Don Vappie and the Creole Jazz Serenaders Don Vappie knows about boring music.

In the late 1970s, boring music prompted him to sell most of his instruments and give up playing. And while some people consider traditional jazz dull, Vappie begs to differ.

"I got really bored when disco came out," the New Orleans native said last week, talking about his time in a Top 40 group. "I always remember when I quit the band - I was playing bass - I said, 'You could teach a chimpanzee to do this,' because it was so repetitious.

Paul Anka Luna covering Paula Abdul? Superchunk bowing down to Destiny's Child? Jim O'Rourke shaking out some Spice Girls? Yes, all that and a dozen more are due from Engine Room Recordings and their upcoming Guilt by Association project, asking stars to confess their guilty pleasures. Need more cringe-worthy conceptualizations? Get prepared to slip into Bonnie Prince Billy's Will Oldham crawling through Mariah Carey's "Can't Take That Away," or Petra Haden covering Journey's "Don't Stop Believing."

The Simpsons Movie soundtrack D'oh! Look for this coming Tuesday's release of The Simpsons Movie soundtrack in a special, Homer-approved deluxe doughnut edition. Only available at the "big box" stores, the Adrenaline Music CD comes packaged in a pink doughnut box with a yummy doughnut CD case inside. While Green Day is promised to appear in the film, sporting its own cover of The Simpsons' theme song, the film's soundtrack is all Hans Zimmer, intriguing me with titles such as "Thank You Boob Lady," "World's Fattest Fertilizer Salesman," and "Trapped Like Carrots." Only 25,000 copies of the doughnut edition have been made, and Green Day's track can be found on a CD single released the same day.

 

G. Love Some things are too embarrassing for public consumption, so the man born Garrett Dutton and known as G. Love exercised some control over the content of his new documentary and concert DVD, A Year & a Night with G. Love & Special Sauce.

When the director showed him his initial cut of the documentary portion of the DVD, coming it at roughly two hours, G. Love demanded that some material come out.

The running time was one concern, but image was another, G. Love admitted in an interview last week to promote his July 12 appearance at the Redstone Room. "You've got to take this shit out," he told the director. "I don't want to come off like this."

You're Gonna Miss Me A favorite of the indie-film-fest circuit is released this week as a must-see DVD, peeling back the myth and magic of Roky Erickson. Opening with his own mother's court deposition concerning her son's stewardship, You're Gonna Miss Me is brutally honest as the camera observes what's left from a life of "permanently tripping." Another line-jumper in the blur between genius and insanity, the 13th Floor Elevators' seer certainly had that special something - a voice that Billy Gibbons of ZZ Top calls the elusive "mystery factor." Whatever your personal positions on drug abuse, anti-psychotic medications, alternative therapy, and our prison system, you might be challenged by this one-hit-over-the-line madman, now caressing his Mr. Potato Head doll, turning on every sound-producing device in the house, trying to escape his own white noise. The Palm Pictures documentary is packed with archival footage, rare photographs, and family and devotees telling the tale, which includes a 1966 appearance on Dick Clark's American Bandstand, his last real gig in 1987 with the Butthole Surfers, and bizarre Mom-made home movies crowning a Christ-like Roky "king of kings." Bonus material on the DVD includes live and rare acoustic performances and readings.

Head Held High The MySpace page profile for the Quad Cities trio Head Held High includes upcoming shows, the band's influences, and a response to the prompt "Sounds like." The group has written "a rock band."

It's a fair description, and therein lies a problem.

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