Mike Morgan & the Crawl Think about Sade, the cool and exotic British chanteuse known for "Smooth Operator." Now consider the "Texas Man" with an eye patch, Mike Morgan, whom Guitar World called "a genuine blues guitar hero" known for his incendiary playing. Mike's got all Sade's records and loves her jazz band.

And on his next album, which is currently in pre-production, "I've got one song I could really hear her recording," he said in a recent phone interview.

That's in addition to Morgan-penned numbers such as a "radio-friendly rootsy-rock song" that he and his band the Crawl have tried out live, an Otis Redding-like ballad, a couple of R&B "Al Green-ish-type things," a Louisiana-style ballad, a few shuffles, some "funky things," and "a Marvin Gaye ‘What's Goin' On' thing - I've never recorded anything like that."

A lot of 14-year-olds pick up an instrument to emulate their idols. It's just not often they choose the harpsichord.

But that's what George Shangrow did, and decades later, he's the director and founder of Orchestra Seattle and the director of the Seattle Conservatory of Music. This weekend he's performing on the piano and harpsichord as one of four musicians in the Black Hawk Chamber Music Festival.

The "Mostly Mozart Festival" celebrates the 250th birthday of the composer with two concerts each at Moline's First Congregational Church (on July 28 and 30) and Iowa City's Congregational Church (July 29 and 31).

River Cities' Reader Music GuideIn conjunction with this year's Music Guide, the River Cities' Reader has added new music-related features to its Web site.

You might notice that our print Music Guide no longer lists local bands, bars, and performance venues. That's because we've shifted that content to our Web site. As a result, it's searchable, and registered users can claim and edit their listings or create listings for their new bands or venues. In other words, the people who have the most to gain from accurate listings - whether they're bands, bars, or restaurants - will ensure that our database is as comprehensive and up-to-date as possible.

The Clash - Rude BoyBack before Blockbuster, Netflix, and other instant-gratification services, seeking out that elusive hipster film took a lot of praying and the luck of an art-house theater in your city to satisfy one's craving. One of those great rock-and-roll films that brought the excitement of a live concert was Rude Boy from 1980, a gritty street drama mixed with live footage from The Clash in 1978 performing every song from their white-hot self-titled debut. For years, fans passed around poorly copied dubs of its 1991 VHS release or searched for a copy on eBay, but the film returns this coming Tuesday in full DVD glory. The Epic Records' Legacy imprint release is packed with bonus goodies, including BBC sessions, interviews with sex-shop-worker-turned-roadie Ray Gange and band manager Johnny Green, a gallery of photography and sketches, and the original theatrical trailer. Also extended with four deleted scenes and two songs cut from the original presentation, the DVD technology allows the viewer to play only the concert footage, uninterrupted. A mesmerizing peek into the politically volatile times of the United Kingdom in the late 1970s, this is the early history of "the only band that ever really mattered."

 

Raul Malo - "You're Only Lonely" I'm loving every raindrop of sound in Raul Malo's new covers collection, You're Only Lonely. Due this coming Tuesday on the eclectic Sanctuary Records imprint, the Mavericks vocalist evokes a forgotten, crushed-velvet Roy Orbison world, spellbinding in his rich, golden tone and slow-dance restraint. And what could be more perfect than the lush brush of producer Peter Asher, a boy wonder in the '60s as half of Peter & Gordon and a master producer in the '80s with Linda Ronstadt, James Taylor, and 10,000 Maniacs? I found myself deeply moved with melancholy nostalgia with each listen, remembering the heyday of AM radio, when everyone - from the farmer chewing on a thin green stalk to the housewife in the big city setting the table - was humming along to the same, infectious melody. The song choices are impeccable, from J.D. Souther's title track to Randy Newman's "Feels Like Home" to a bonus duet with Martina McBride. Other highlights include The Bee Gees' "Run to Me," Harry Nilsson's "Remember," and the most haunting rendition of Willie Nelson's "Angel Flying Too Close to the Ground" I've ever heard. This is turn-down-the-lights music, serious baby-making stuff.

 

It should come as no surprise that the District of Rock Island has secured terrifically talented bands for its eighth annual Hornucopia festival, taking place on Friday, July 14, and Saturday, July 15. If you've attended Hornucopia in the past, you know the drill: two stages showcasing the finest in R&B, funk, soul, jazz, rock ... basically, any genre that incorporates a little brass. As the festival's motto states, "If it has horns, you'll find it at Hornucopia."

Gray Wolf Band No surprises there. But while researching the first group to perform this weekend - local favorites The Gray Wolf Band, whose set begins at 5 p.m. on Friday - I was floored to discover that drummer Tom Drabek not only served as Alpine Race chairperson for several U.S. Ski Association events, but is a former Special Forces Green Beret, to boot. And he's not the only Gray Wolf performer with an interesting history. According to the group's Web site (http://www.graywolfband.com), Kenny Carleton began his musical career at age 18, playing bass on riverboat cruises with his brother; Jim Ryan, employing the Isabel Bloom technique, has spent two decades years making original concrete sculptures; and Larry Burns has been described as "the biggest rock star that no one has ever heard of."

So much I didn't know about these classic-rock performers! What other gems could I unearth if I did a little Web-site digging on the Hornucopia bands?

Ari Brown Jazz saxophonist, pianist, and educator Ari Brown - part of the avant-garde scene in Chicago - will perform with his quartet at the Redstone Room of the River Music Experience in downtown Davenport on July 16. Brown will conduct a workshop at 3 p.m. and perform a two-set concert starting at 6 p.m. Admission to the workshop is $10, while concert tickets are $15.

Rapper Aesop Rock and illustrator Jeremy Fish have collaborated on a new limited-edition book aimed at adults but crafted as an old-school children's book, complete with a seven-inch record that tells the reader when to turn the page with the beat. Entitled The Next Best Thing, the Upper Playground release deals with the "creative block" that all artists go through. Fish's artwork is amazing - check out (http://www.sillypinkbunnies.com) - and catch his work on tour this summer and fall in art galleries in Los Angeles, Dallas, and Philadelphia.

 

If you never stretch, you'll never know what your limits are. Muscatine band Burnt Ends stretches a lot, and - as the group's new album Trip the Dandy nears its end - finds its limit. To put it bluntly: On an otherwise sure-footed album that rarely plays it safe, the rapping was a terrible choice - incongruous and baffling.

Graciously A new benefit CD is worth putting your money where your heart is, created when the Wavelab recording studio in Tucson, Arizona, wanted to reach out across the desert and aid Habitat For Humanity's Musician's Village project in New Orleans. Graciously: A Gulf Relief Compilation features a dozen exclusive new tracks from artists who've recorded albums at the studio, including Robyn Hitchcock, Devotchka, John Doe, Howie Gleb, Friends of Dean Martinez, and Calexico. Look for it next week on store shelves from the Funzalo Records label.

 

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