Denzel Washington in FlightFLIGHT

Within the first 15 minutes of director Robert Zemeckis' Flight, you'll witness what must rank as one of cinema's most frightening, emotionally wrenching plane crashes. Yet in the end, and as harrowing as this passage is, I'm not sure that it's actually more terrifying or heartbreaking than the scenes of Denzel Washington's Whip Whitaker - the pilot whose heroic actions save 96 lives aboard that ill-fated flight - battling his urge to drink and, with only the mildest feelings of regret, losing that battle again and again and again.

Kathryn Newton in Paranormal Activity 4PARANORMAL ACTIVITY 4

Pity those who walk into Paranormal Activity 4 having no familiarity with this popular horror series' previous entries. You should really pity the rest of us, too, but first things first.

FrankenweenieFRANKENWEENIE and HOTEL TRANSYLVANIA

Not two months after the release of ParaNorman, two other animated, family-friendly spook fests can now be found at national cineplexes: Tim Burton's Frankenweenie, the Mary Shelley-like tale of a beloved pooch's magical resurrection, and Hotel Transylvania, a manic slapstick about the world's most comically macabre bed-and-breakfast. And after catching up with the latter titles during a recent double feature, my immediate thought was this: Man, ParaNorman sure was good, wasn't it?

Amy Adams and Clint Eastwood in Trouble with the CurveTROUBLE WITH THE CURVE

The latest movie to star Clint Eastwood, marking the icon's first on-screen appearance since 2008's Gran Torino, is director Robert Lorenz's baseball drama Trouble with the Curve. That curve, by the way, is the least of this film's troubles.

Milla Jovovich in Resident Evil: RetributionRESIDENT EVIL: RETRIBUTION

If you were at a Friday-afternoon screening of Resident Evil: Retribution and heard, some 30 seconds before the end credits, an audible groan of frustration and annoyance, I apologize if my unplanned outburst was distracting. I just couldn't believe that this mindless, endless series was going to require yet another freakin' sequel.

Bradley Cooper and Zoe Saldana in The WordsTHE WORDS

Three separate narratives dovetail in The Words, a modestly engaging morality drama by writers/directors Brian Klugman and Lee Sternthal. Yet ironically enough, the one narrative I never bought into was the one that's meant to be the most believable, though heaven knows the other two aren't exactly models of cinematic authenticity.

Joseph Gordon-Levitt and Michael Shannon in Premium RushPREMIUM RUSH

Anyone who's ever wanted to perfect an imitation of Michael Shannon - fearless, ferocious, crazy-as-a-shithouse-rat Michael Shannon - is advised to catch the action thriller Premium Rush, because director David Koepp's movie finds the familiar character actor doing a pretty spectacular imitation of himself.

Sylvester Stallone, Jason Statham, and Terry Crews in The Expendables 2THE EXPENDABLES 2

If home viewings of The Expendables 2 are one day turned into a drinking game, and I pray that they are, one of the rules has to be that you chug every time the film employs a thudding cliché from the '80s, either directly or indirectly. A plot involving stolen weapons-grade plutonium? Drink! A team of he-men astonished that a new female recruit can actually do something? Drink! Dolph Lundgren wrestling with a Rubik's Cube? Drink twice!

Zach Galifianakis, Jason Sudeikis, Dyan McDermott, and Will Ferrell in The CampaignTHE CAMPAIGN

As the movie's trailers have been running since what feels like the last presidential campaign, it's understandable if viewers enter the Will Ferrell/Zach Galifianakis political spoof The Campaign worried that all of the hilarious bits have already been spoiled for them. The wonderful surprise of director Jay Roach's comedy, however, is that they haven't - not unless viewers have somehow been privy to a trailer that lasts 85 minutes.

BraveBRAVE

Like many of you, I'd imagine, I applaud Pixar for finally giving audiences a strong female protagonist in Brave, and would've looked forward to the movie itself more had the trailers not been so resoundingly blah. But what I'd forgotten was that several of the animation studio's best outings - Finding Nemo, WALL•E, Toy Story 3 - were also promoted with weak previews, and so it's a pleasure to say that this Scotland-based adventure is one of Pixar's most involving and interesting achievements in years, partly because those generically jokey trailers give you almost no idea of what's actually in store.

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