Bryan Woods, Bob Hanske, Michael Hill, and Andy Curtiss in The Merry Wives of WindsorGenesius Guild's The Merry Wives of Windsor is a study in comedic styles, particularly in comparing the portrayals of Bob Hanske's lothario Falstaff and Andy Curtiss' hot-headed Ford. Hanske offers a vocally robust - and, thanks to costume designer Ellen Dixon, physically robust - performance that's delightfully buffoonish in his mannerisms and goofball inflections. Curtiss, on the other hand, plays his part of the jealous husband whose wife is coveted by Falstaff almost without accentuating its humor, choosing instead to allow his fluctuating anger to carry the comedy. And both actors are hilarious in their roles, stealing the show every moment they're on stage.

Sally Field and Daniel Day-Lewis in LincolnLINCOLN

Steven Speilberg has never directed a talkier movie than his presidential biopic Lincoln, and only on rare occasions, it seems to me, has he directed a better one.

Pat Flaherty in King Lear"I think it came from going to church," says area actor Pat Flaherty of his childhood interest in theatre. "Because I'd go to church, and I'd see this guy who was holding everybody's interest through the whole service. It was very dramatic - they'd light the candles and ring the bells and everything - and for a while I thought I wanted to be a priest because of that.

"It turned out I just wanted to be on stage."

Johanna Welzenbach-Hilliard and Donna Weeks rehearse Under the RadarFor the final production in her company's 10th-anniversary season, New Ground Theatre Artistic Director Chris Jansen chose to direct a rather epic piece: the debuting period drama Under the Radar, which features numerous plotlines and changes of locale, and concerns our area's gay scene in the late 1970s, with particular attention paid to the relationship of one long-term gay couple.

Based on that description, it sounds as though Jansen is tackling a Quad Cities-based, pre-AIDS version of Tony Kushner's Angels in America. Yet when, with a good-natured laugh, she says of the mammoth undertaking, "Some idiot wrote 11 characters into it," know that Jansen isn't being derogatory. At least, not toward anyone but herself.

Tristan Tapscott and Steve Lasiter in RentIn the program's director's notes, Matthew Helton reveals that he stepped into the role of director for the Harrison Hilltop Theatre's production of Rent hours before the first rehearsal, not giving him enough time to do much more than reproduce the Broadway staging of the show. The replication is arguably forgivable, given his time constraints, but also unfortunate, as little of the performance possesses the mark of being the local theatre's own take on composer Jonathan Larson's work. That being said, however, the production lives up to and even exceeds expectations, due to the singing ability of its cast, and the high energy of its band.

Dwayne Johnson in Tooth FairyTOOTH FAIRY

With his cartoonishly buff physique, his unwavering sincerity and geniality, and his happy willingness to play the goofball, it's easy to see why young audiences love Dwayne Johnson, aka The Artist Formerly Known as The Rock. What's less fathomable, especially considering Johnson's continually questionable taste in material, is why I still love the guy.

Are mainstream movies, in general, becoming more and more stale? The question arose a couple of weeks ago when an acquaintance asked if I'd seen anything good recently. After a pause I was finally able to reply, "Uh ... Return of the King?"

"Well, of course that. Anything since then?"