Roughly 10 minutes before the Prenzie Players' presentation of The Winter's Tale gets underway, there's a brief, improvisational scene between the Bohemian king Polixenes (David Furness) and Prince Mamillius (Stephanie Moeller), the young son of the king and queen of Sicily.
The Prenzie Players' presentation of Euripides' The Trojan Women, adapted by Richard Lattimore, runs just over an hour, and I can't imagine who would want it to last longer than that. There's so much anguish and grief on display, and the material appears so deeply felt by director Jill Sullivan-Bennin's cast, that the production leaves you not just haunted, but shaken; it's questionable whether either the actors or the audience could endure two hours of such extreme emotional states.
With the current Much Ado About Nothing, I've now attended 10 presentations by the classical-theatre troupe the Prenzie Players, and perhaps fittingly, it's maybe the most sheerly Prenzie Prenzie production I've yet seen.Subscribe & Listen to Reader Podcasts
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