For choreographers, inspiration can sometimes come from a story, or a theme, or a series of dance moves. For Ballet Quad Cities' Margaret Huling, who makes her professional choreographic debut with the upcoming Configurations, it came from Tchaikovsky - specifically, the First Movement of the composer's Piano Trio in A Minor, Opus 50.
"I was kind of fighting with myself over what I wanted to do," says Huling, "and I kept coming back to the First Movement. It's music that really inspires me."
Yet choreographic inspiration can also come from the inspiration of others, as Ballet Quad Cities' Associate Director Courtney Lyon discovered in the course of re-staging original choreographer Johanne Jakhelln's Romeo & Juliet in the 21st Century.
When Rock Island's summer-theatre organization Genesius Guild opens Gilbert & Sullivan's comic operetta Patience on June 9 - taking place in the city's Lincoln Park, and co-produced with Opera @ Augustana - it will mark the group's first production in a half-century not under the helm of Guild founder Don Wooten, who retired at the end of last season. And when asked what it's like serving as Genesius Guild's new executive director, and assuming a majority of Wooten's tasks, Doug Tschopp has a succinct one-word answer.






