Chris Froseth in Buddy: The Buddy Holly StoryAs the title character in the Timber Lake Playhouse's Buddy: The Buddy Holly Story, Chris Froseth is a spectacularly confident dork. With his slender frame, curly mop of brown hair, and iconic horn-rimmed glasses, he nails the physicality to perfection, and his cascading drawl and thrilling rock vocals are oftentimes uncannily similar to Holly's. Yet what's even more impressive is how completely the actor seems to capture the singer/songwriter's gawky yet fantastically determined spirit.

Karl Hamilton, Kaci Scott, and Carl Hendin in Dirty Rotten ScoundrelsSome 20 minutes before the finale to the Timber Lake Playhouse's Dirty Rotten Scoundrels, you'll finally hear something that you hadn't heard once during the musical's first two hours: a legitimately sincere number. Granted, this romantic ballad is being sung by a practiced con man, and the object of his affection is a young woman from whom he's trying to swindle 50 grand, and he's only been hitting on her to prevent his rival from scoring first. But, hey, sincerity is sincerity, and besides, it's the only heartfelt moment you're gonna get.

Kyle Szen, Amanda Hendricks, and Justin Verstraete in Wait Until DarkOver the last five summers, I've attended more than a dozen productions directed by the Timber Lake Playhouse's artistic director, Brad Lyons, and the majority of them have been utterly sensational. But I can't recall ever being more knocked out by the man's skills and obvious love for his craft than I was during Friday night's Wait Until Dark, Timber Lake's current - and top-to-bottom stunning - presentation of playwright Frederick Knott's 1966 thriller.

Kyle Szen and Meredith Jones in The Wedding SingerOn Thursday night, the Timber Lake Playhouse opened The Wedding Singer, the musical-comedy version of 1998's love-in-the-'80s movie hit starring Adam Sandler and Drew Barrymore. Imaginatively and exuberantly directed by Brad Lyons, it's a joyful take on stage material that (in a wonderful surprise) is pretty damned terrific to start with, and Thursday's production was so big-hearted, so funny, so brilliantly costumed, and so smashingly well-performed that I might as well get it out of the way and say that its technical presentation was so routinely clunky that it bordered on the infuriating.

"Cabaret" In the 11-week period between June 1 and August 12, I saw 28 area productions. And how did you spend your summer vacation?

Considering the overall great time I had last summer, though, I was hardly dreading this relentless schedule. I'd spent 10 whole months eagerly anticipating my return to the Clinton Area Showboat Theatre (CAST), Mt. Carroll's Timber Lake Playhouse, and - for Genesius Guild productions - Rock Island's Lincoln Park; the summer-theatre triad would be responsible for 17 of those 28 offerings. (Summer 2006 would also provide my introduction to Eldridge's Countryside Community Players, whose Cinderella I missed last year.)