Oscar Isaac, Justin Timberlake, and Adam Driver in Inside Llewyn DavisINSIDE LLEWYN DAVIS

There are some Coen-brothers movies - Fargo and O Brother, Where Art Thou? and True Grit come immediately to mind - that, because they exude such palpable filmmaking energy and are so spectacularly quotable, I wanted to talk about immediately after first seeing them. Then there are the rarer Coen-brothers movies, among them The Hudsucker Proxy and Intolerable Cruelty and Burn After Reading, that I didn't feel much like talking about afterward, mostly because I didn't enjoy them much on a first go-round. (Though I've consequently become a big fan of Joel's and Ethan's Hudsucker and Burn, in the case of Intolerable Cruelty, second and third go-rounds did nothing to improve matters.)

And then there are Coen-brothers movies such as the new Inside Llewyn Davis, a work that is, I think, so good that I don't want to discuss it for fear of not coming close to doing it justice.

HARRY POTTER & THE HALF-BLOOD PRINCE

Excepting director Alfonso Cuarón's Harry Potter & the Prisoner of Azkaban, I haven't been terribly crazy about the film adaptations of J.K. Rowling's books. But here's something that I absolutely do adore: seeing these movies in a crowded theater on opening day.