MinionsMINIONS

The previews for the Despicable Me prequel-slash-spin-off Minions made me laugh out loud every single time I saw them ... the first dozen times I saw them. After the second dozen, though, I started to get a little nervous. By then, I had experienced roughly 72 collective minutes of these squat, yellow henchmen with their helium squawks and adorable bulging eyes (or, in some cases, eye), and my initially hearty laughter had been replaced by occasional grins and a smidge of irritation. Granted, I was only seeing three to five minutes of footage over and over, but would directors Kyle Balda's and Pierre Coffin's animated outing wind up feeling the same? Would a solid hour and a half of Minions, and Minions, be too much of a good thing? Answer: Not really. And also: Kind of.

Jason Bateman and Ryan Reynolds in The Change-UpTHE CHANGE-UP

The Change-Up, in which Jason Bateman's discontented husband and father magically swaps bodies with Ryan Reynolds' perfectly contented slacker dumb-ass, is an appallingly smutty and juvenile slapstick. In the segment that finds Reynolds (in Bateman's body) preparing a late-night feeding for his pal's infant twins - with one tot seen playing with butcher knives and the other reaching into the blender and sticking his tongue into an electrical socket - it features one of the most painfully unfunny scenes in cinema history, and I'm not excluding any given scene in Sophie's Choice or Schindler's List.