Even if you entered the Timber Lake Playhouse's Boeing-Boeing unaware that author Marc Camoletti's play was a farcical comedy - its elbow-in-the-ribs title somehow not divulging that information - all it would take is one look at Nathan Dahlkemper's scenic design to know that some serious slapstick was bound to be in store.
New Ground Theatre's God of Carnage is one of the funniest shows, if not the funniest, I've seen on a Quad Cities stage so far this year. Not only is the script by playwright Yasmina Reza sharp, surprising, and witty, but director Derek Bertelsen's handling of the pacing and his cast's character choices had me laughing embarrassingly loudly at Thursday's performance. Even two days later, I find myself mentally inserting quotable dialogue from the play into conversations (though I'd rather not quote any of it here, as most of the best lines involve the "F" word).
When attending a detective spoof with the title Red Herring, you probably shouldn't expect its storyline(s) to hold together in a way that makes much sense, and Michael Hollinger's farcical noir seems particularly all-over-the-map; somehow, in 130 minutes, the play's author squeezes in adultery, bigamy, murder, treason, neutron-bomb testing, the McCarthy hearings, a show-tune-loving Soviet, and a top-secret microfilm stashed in a block of Velveeta.
The language of playwright Tracy Letts' August: Osage County is loaded with layers of emotion underneath its dialogue. During New Ground Theatre's opening performance on Friday, a few actors neglected the dark undertones, reciting their lines as if Letts' words held nothing below the surface. Most, however, got to the heart of the script, impressively revealing the richness of the work through performances that ranged from subtle to over-the-top. While not perfect, the show deserved the standing ovation it got from the audience.
Into the Woods (August 10 - 12, 2007): The Green Room's debut production was Stephen Sondheim's and James Lapine's fairy-tale musical, and many of its cast members had previously worked with director Derek Bertelsen (also the venue's Executive Director) and music director Tyson Danner (the Artistic Director) in the pair's previous, fund-raising performances for the Children's Therapy Center of the Quad Cities: 2005's Ragtime and 2006's The Secret Garden. Both vividly remember opening night.
If you peruse your program before the Quad City Music Guild's current production of Once Upon a Mattress, you'll see that Joe Urbaitis plays a character named Prince Dauntless the Drab. While watching the actor, it probably won't take long for you to decide that Urbaitis is colossally miscast in the role, as his inventive, fearlessly funny performance in this musical comedy is anything but drab.
Before praising the Green Room's lovely, charming production of Eleemosynary - the Lee Blessing comedy/drama that ran February 22 through 24 - I feel compelled to also praise the show's Friday-night audience. Actually, I feel compelled to praise the audiences at each of the productions I've attended in this Rock Island space; for fellow theatre devotees who tend to grow hostile near patrons who routinely cough, shift in their seats, slowly open cellophane-wrapped candies, and forget to turn off their cell phones, the Green Room is easily the area's venue of choice.Subscribe & Listen to Reader Podcasts
On Stands Now
Tagged Content
Two Ways to Subscribe
1. Subscribe to free weekly e-mail content updates.
You'll get both the current official narrative challenge and What's Happenin' in the Quad Cities.
(Did you know we publish a new Amy Alkon Advice Goddess, Real Astrology, Red Meat cartoon and RCR Crossword every week?)
2. Get 12 monthly issues mailed first class for $48
Get the printed Reader edition mailed to you (or anyone you want) first-class for 12 months for $48.
$24 goes to postage and handling, $24 goes to keeping the doors open!