MinionsMINIONS

The previews for the Despicable Me prequel-slash-spin-off Minions made me laugh out loud every single time I saw them ... the first dozen times I saw them. After the second dozen, though, I started to get a little nervous. By then, I had experienced roughly 72 collective minutes of these squat, yellow henchmen with their helium squawks and adorable bulging eyes (or, in some cases, eye), and my initially hearty laughter had been replaced by occasional grins and a smidge of irritation. Granted, I was only seeing three to five minutes of footage over and over, but would directors Kyle Balda's and Pierre Coffin's animated outing wind up feeling the same? Would a solid hour and a half of Minions, and Minions, be too much of a good thing? Answer: Not really. And also: Kind of.

Joseph Gordon-Levitt and Scarlett Johansson in Don JonDON JON

Writer/director/star Joseph Gordon-Levitt's Don Jon casts its auteur as a New Jersey bartender obsessed with pornography, and you can view the film as an extremely raunchy romantic comedy, or an untraditional coming-of-age saga, or a mostly lighthearted exploration of the perils of addiction. But I prefer to think of Gordon-Levitt's sprightly, confident filmmaking debut more as a modernized Pinocchio, in which, through lessons learned and a touch of magic, a creature made of wood - or rather, one sporting wood - eventually becomes a real live boy.

Tyler Perry in Tyler Perry's Madea Goes to JailTYLER PERRY'S MADEA GOES TO JAIL

Tyler Perry's wildly popular, drag-act creation Madea - the tough-talking matriarch (played by Perry himself) with zero tolerance for foolishness, church, and most of her family members - is an admittedly entertaining figure. Yet she's a really odd character to build a movie around, because this bosomy yowler steadfastly refuses to change, or "grow," or develop in any way that could sustain a feature-length narrative; she's a one-joke, and one-rant, conceit. Maybe that's why it always feels like Madea is intruding on her films, even the ones with her name in the title. By necessity, the movies in which she appears have to treat her as a special guest star, because if they were just 100-ish minutes of Madea's antics, nothing would ever happen in them.

Jamal Woolard in NotoriousNOTORIOUS

Every musician's life is different, of course, but every musical bio-pic seems fundamentally the same: The humble beginnings, followed by the first hints of greatness, followed by the early romantic interests, followed by the steady rise to fame, followed by the new romantic interests, followed by the explosive success, followed by the personal setbacks, followed by the professional setbacks, followed by the cementing of the legend ... and if the movie can find room for a title card reading "With his life he proved that no dream is too big," so much the better.