Sara King, Kelly Lohrenz, and Steve Lasiter in Next to NormalThe District Theatre's production of Next to Normal may feature the best performance I've ever seen from Sara King, one that even tops her notably angst-ridden, humorous Van's Sister in the former Harrison Hilltop Theatre's Dog Sees God two years ago, and her subtle, hurt, hopeful Lucille in the District Theatre's Parade earlier this year.

Christina Myatt in GypsyAs if she hadn't already proven so in the previous three hours of Friday's Countryside Community Theatre performance, Christina Myatt left no doubt that she's worthy of the larger-than-life role of Mama Rose with Gypsy's final song, "Rose's Turn."

Sara King, Kevin Grastorf (front seat), Adam Overberg, and Cari Downing (back seat) in I Love You, You're Perfect, Now ChangeI fall for Adam Overberg's onstage charm with every new performance. He has a demeanor, a presence, that captivates me, and he proves his diversity as an actor over and over again. With the Harrison Hilltop Theatre's I Love You, You're Perfect, Now Change, though, he adds singing to the long list of talents he possesses, and while his voice may lack polish, Overberg's vocals remain enthralling through his interpretations and comedic delivery.

Don Denton, Marty McNamee, Danny White, and Scott Stratton in Plaid TidingsI've never seen a production of Forever Plaid, but that didn't seem to affect my enjoyment of the Circa '21 Dinner Playhouse's production of the musical's sequel, Plaid Tidings. Thanks to a quick recap of the events from its predecessor, it was immediately clear that this show would concern a 1950s vocal quartet that had died, but was sent back to Earth to perform a Christmas show in order to prove their Plaid-itude. Or something like that.

 

Bryan Tank, Sara King, Kelly Lohrenz (top row), James Bleecker, Liz Millea, and David Turley (bottom row) in The 25th Annual Putnam County Spelling BeeThe Harrison Hilltop Theatre's The 25th Annual Putnam County Spelling Bee is both outrageously hilarious and poignantly touching. I laughed harder than I've laughed in a long time during Thursday's opening-night performance, and I wasn't alone in offering up hearty guffaws, with the capacity crowd cackling with delight throughout the evening's entertainment.

Playwright Bert V. Royal's Dog Sees God, which is basically Peanuts set in high school, is tough to swallow; it's not easy to hear comic-strip characters - cherished for their innocence - cussing and talking about sex. Yet while it's offensive, the script is also deeply sad, something the Harrison Hilltop Theatre's current production doesn't quite grasp until the play gets really, really sad.