Michael King has appeared in so many Genesius Guild productions, and has delivered such consistently outstanding performances, that it's easy to take the actor/director's copious talents for granted. Yet the experience of watching him as the scheming Richard III in the Guild's Henry the Sixth: Richard, Duke of York - the concluding half of director Don Wooten's two-part presentation of Henry plays - is so startling, exhilarating, and fresh that it's almost as though you're seeing the actor for the very first time. Stage work as profoundly inspired as King's is a night of unforgettable theatre unto itself. Then again, very little about this production isn't a thrill.
Even if you didn't know that Genesius Guild's Henry the Sixth: The Contention was an amalgamation of Shakespeare's Henry VI: Parts I and II - with Part III opening on July 17 - and didn't know that the production was directed and adapted by Guild founder Don Wooten, it's likely that your first glimpse at the program would be enough to intimidate you.
"We were looking for a name for the group," says Genesius Guild founder Don Wooten, "and I knew of a play called The Comedian, which was about St. Genesius, who was the patron saint of actors. So I called it Genesius Guild. But no such person ever lived. I just thought it was wonderful for actors to have an imaginary patron saint."
When Rock Island's summer-theatre organization Genesius Guild opens Gilbert & Sullivan's comic operetta Patience on June 9 - taking place in the city's Lincoln Park, and co-produced with Opera @ Augustana - it will mark the group's first production in a half-century not under the helm of Guild founder Don Wooten, who retired at the end of last season. And when asked what it's like serving as Genesius Guild's new executive director, and assuming a majority of Wooten's tasks, Doug Tschopp has a succinct one-word answer.






