Bradley Cooper and Emma Stone in AlohaALOHA

On three separate occasions this past weekend, after mentioning that I'd seen Cameron Crowe's Aloha, I had friends or family members reply with some variant on "Ugh, how bad was it?" That's usually the response I get after telling people I just came back from the latest Happy Madison flick or Paranormal Activity: Yup, We're Still Churning These Out. But to hear that kind of pitying condolence regarding a new Crowe endeavor was troubling. Sure, the reviews were largely dreadful, and the previews leaned toward the achingly twee, and the movie's reputation in the hacked Sony e-mails ("the script is ridiculous") didn't help matters. Beyond all that, though, is the collective disappointment of Vanilla Sky, Elizabethtown, and We Bought a Zoo so pervasive and infuriating that it overwhelms the memory of Say Anything ... , Jerry Maguire, and Almost Famous?

Jim Sturgess and Anne Hathaway in One DayONE DAY

When Emma (Anne Hathaway) and Dexter (Jim Sturgess) first meet in director Lone Scherfig's One Day, it's the morning after their 1988 university graduation, and a few minutes before the happily drunken pair tumbles into Emma's bed. They don't wind up consummating their flirtation, but the young Brits - and best-friends-to-be - seem perfectly content to smile and snuggle while the sun rises, and Emma makes the observation that the new day, July 15, is the English near-holiday of St. Swithin's Day. Or, as Scherfig's comedy/drama/romance might cause me to think of it from now on, St. "Well, Isn't That an Astounding Coincidence?" Day.

Jeff Bridges and Maggie Gyllenhaal in Crazy HeartCRAZY HEART

Writer/director Scott Cooper's Crazy Heart is a character drama of gentle, lulling rhythms -- so lulling, in truth, that I momentarily dozed off halfway through the film. But I'm pretty sure that I was smiling as I slept, because the steady, deliberate pacing feels just right for the tale Cooper's telling, and because star Jeff Bridges is so masterfully assured as down-and-out country singer Bad Blake that he leaves you in a state of utter, unadulterated happiness and calm. (The actor might almost be saying, "Go ahead and nap. I'll be here when you wake up.") There may have been more exciting screen performances amidst 2009's releases, but possibly none as thoughtful, lived-in, and moving as Bridges'; in his hands, a role that easily could've been a one-note conceit is nothing short of symphonic.