a scene from Ballet Quad Cities' 2008 production of The NutcrackerOn December 12 and 13, area audiences will have the opportunity to attend two separate productions of composer Pyotr Ilyich Tchaikovsky's The Nutcracker: one performed by the professional dancers of Ballet Quad Cities (plus a few local performers), one performed by the student performers of RiverPointBallet (plus a professional dancer). And Ballet Quad Cities' Executive Director Joedy Cook is up-front about a large part of the holiday favorite's appeal: "For all ballet companies, Nutcracker is what really helps pay their bills. Nutcracker is the one ballet that you can count on to get an audience."

Yet as Cook well knows, that's not the reason that audiences themselves flock to The Nutcracker year after year. "It's truly the most recognizable music in the world," she says, "and that's because it's magical. And The Nutcracker itself is magical. It's magic, it's dreamy ... it's 'Calgon! Take me away!'"

 "I was really nervous," recalls Jackie Madunic. "I love Tina Turner - she's, like, one of my idols - and I was terrified."

Madunic is describing the first time she rehearsed her role as Turner in the Quad City Music Guild's production of Beehive, and the actress' fears are understandable. The revue, running March 23 through 25, is a celebration of the 1960s' most prominent female musicians - among them Turner, Janis Joplin, Lesley Gore, Aretha Franklin, Diana Ross, Connie Francis, and Annette Funicello - yet in addition to portraying one of our country's most identifiable rock icons, another factor is conceivably adding to the performer's nervousness: Madunic is white. (As, it should be noted, is actress Sarah Ulloa, who plays both Franklin and Ross.)