Originated in Italy in the 16th Century, the theatrical form commedia dell'arte traditionally finds a group of actors participating in a comedic scenario featuring slapstick conceits called mécanisme. And for his original commedia dell'arte presentation at St. Ambrose University, one fittingly titled Commedia Dell'arte, director Daniel Rairdin-Hale insists that he and his cast have come up with some mécanisme doozies.
About two minutes into Thursday night's performance of The Importance of Being Earnest, I panicked, knowing there were still two more hours of what had so far been - and seemed likely to continue to be - a flat, humorless presentation of playwright Oscar Wilde's work. Fortunately, though, my fears were mostly unfounded, as the Richmond Hill Barn Theatre's production improved as it progressed, and greatly improved with the arrival of the play's female characters.
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