Shelby Young in NightlightOnly six actors appear in writers/directors Scott Beck's and Bryan Woods' supernatural thriller Nightlight, and the film's most inventive performance, by a considerable margin, is given by its lead. That this lead isn't actually one of the aforementioned six - and is, in fact, an inanimate object - isn't quite the detriment you'd think.

Jamie Foxx and Andrew Garfield in The Amazing Spider-Man 2THE AMAZING SPIDER-MAN 2

The biggest problem I had with 2012's The Amazing Spider-Man was that director Marc Webb's superhero-origin tale - with its "let's get this tiresome exposition over with" vibe and general lack of personality - felt merely like the setup for more interesting web-slinging adventures to come. The biggest problem I have with Webb's The Amazing Spider-Man 2 is that it feels almost exactly the same, like a character- and conflict-building preamble that we have to endure to get to the eventual good stuff. Things certainly happen in Webb's latest cinematic comic book, but they appear to happen solely because its surviving characters need to be positioned properly for their roles in The Amazing Spider-Man 3, the inevitable outing in which maybe, finally, the series will start living up to the imposed adjective in its title.

Jonathan Daniel Brown, Oliver Cooper, and Thomas Mann in Project XPROJECT X

In director Nima Nourizadeh's teen comedy Project X, three nerdy high-school pals in North Pasadena decide to make names for themselves by throwing a wild party, and then throw the party.

Now that we've dispensed with the plot, let me try to explain why, through almost its entire running length, this movie made me want to repeatedly plunge an ice pick through my skull.

Tom Cruise in Mission: Impossible - Ghost ProtocolMISSION: IMPOSSIBLE - GHOST PROTOCOL

A European nutjob wants to start nuclear apocalypse, and Ethan Hunt and his team want to stop him. That's my condensation of Mission: Impossible - Ghost Protocol's needlessly complex plot in fewer than 20 words. Here's a condensation of my feelings toward this third sequel in fewer than five: The movie kicks ass.

2004 in Movies

Was I feeling especially sensitive in 2004, or were the year's most memorable cinematic works, coincidentally, the most unabashedly romantic ones? It could certainly be me - the only (fictional) televised event that moved me to tears was the unlikely but enormously satisfying kiss between Martin Freeman's Tim and Lucy Davis' Dawn on The Office Special.