ARTHUR CHRISTMAS

Of the three (count 'em!) family films that opened the day before Thanksgiving, the animated Arthur Christmas initially seemed the most ideal option for younger children, given the nostalgic, in-joke appeal of The Muppets and the melancholia and gravitas of Hugo. Who could have guessed, however, that this frisky, buoyant entertainment might actually be the least appropriate for the grade-school-and-under set? Sure, the bright colors and fast pace will keep the ankle-biters amused, but is there any way they'll register just how freakin' hysterical this thing is?

SCREAM 4

Directed, as all of the franchise's outings have been, by Wes Craven, and written by Kevin Williamson, Scream 4 is a sequel, a reboot, and a big middle finger to reboots, all in one bloody, meta, mostly tedious package. It opens beautifully and features a bunch of (mostly verbal) horror-comedy pleasures, yet its overall effect is wearying; Craven and Williamson are so focused on deconstructing the genre - the Scream series in particular - for a media-soaked, hipper-than-thou young audience that even its "surprises" are in quotation marks. Watching Scream 4 is like watching a movie with its commentary track running before you've had a chance to experience the film without it.