Disney's A Christmas CarolDISNEY'S A CHRISTMAS CAROL

For the most part, Disney's A Christmas Carol - the third of director Robert Zemeckis' features to employ the process of performance-capture animation - is a strong, serious, stunningly well-designed piece of work, and an unexpectedly resonant take on Charles Dickens' holiday classic. But I do feel compelled to ask Mr. Zemeckis a question: Must everything be transformed into a Hollywood thrill ride?

Matt Damon, George Clooney, and Brad Pitt in Ocean's 13OCEAN'S THIRTEEN

Memories of the meandering, tiresome, and ceaselessly smug Ocean's Twelve - Steven Soderbergh's first sequel to his 2001 heist flick Ocean's Eleven - were enough to make me leery about Ocean's Thirteen, and during the film's first reel, that feeling rarely subsided; it, too, seemed both simplistic and maddeningly convoluted, and inordinately pleased with itself from the get-go.

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