08 Feb 2015

Blow It Out Uranus: "Jupiter Ascending," "Seventh Son," "The SpongeBob Movie: Sponge Out of Water," and "Two Days, One Night"

By Mike Schulz

Mila Kunis in Jupiter AscendingJUPITER ASCENDING

After months of previews in the wake of its delayed release, the big-budget sci-fi spectacle Jupiter Ascending - originally scheduled for summer 2014 - finally landed this past weekend. And with its opening, a question can now be asked: Was there any point at which Warner Bros. executives seriously considered pulling the plug on writers/directors/siblings Andy and Lana Wachowski's epic stinker? Maybe when Channing Tatum was cast as a human/wolf hybrid with a blond goatee and pointy ears? Or when an incensed Russian beat the hell out of his son with a throw pillow? Or when, for the performer's first scene, the Wachowskis handed Mila Kunis an all-too-symbolic toilet brush?

17 Aug 2014

Limp Woody: "Magic in the Moonlight," "The Giver," and "Let's Be Cops"

By Mike Schulz

Emma Stone and Colin Firth in Magic in the MoonlightMAGIC IN THE MOONLIGHT

It would be wonderful to say that Woody Allen's Magic in the Moonlight, the lighthearted tale of a stuffy British magician (Colin Firth) who attempts to disprove the gifts of a convincing psychic (Emma Stone) in 1928 Paris, was a throwback to the auteur's oft-referenced early, funny movies - the ones, such as Sleeper and Love & Death, that we fans enjoy returning to again and again. (In the case of Love & Death, for me, "again and again" multiplied by about 20.) Unfortunately, it's more of a throwback to the writer/director's less-referenced early-autumnal period, and its not-so-funny movies - the ones, such as The Curse of the Jade Scorpion and Hollywood Ending, that even we die-hards didn't really care about the first time around.

08 Dec 2013

Oscar-Baiting the Hook: "Out of the Furnace," "The Book Thief," and "Philomena"

By Mike Schulz

Woody Harrelson and Christian Bale in Out of the FurnaceOUT OF THE FURNACE, THE BOOK THIEF, and PHILOMENA

When it comes to films vying for Academy Awards attention, there are several themes and subjects generally guaranteed to pique voters' interest: post-war trauma; post-incarceration estrangement; the Holocaust; Judi Dench. Yet while a trio of recently released titles collectively addresses these and other Oscar-bait-y topics, I can't help feeling that the talents behind all three might wind up disappointed come nominations-announcement morning. Well, except for Judi Dench. There's just no stopping that Dame.

21 Jul 2013

Ghost World: "The Conjuring," "R.I.P.D.," "RED 2," and "Turbo"

By Mike Schulz

Patrick Wilson, Lili Taylor, Vera Farmiga, and Ron Livingston in The ConjuringTHE CONJURING

I was about halfway through my screening of The Conjuring when I noticed that I was having a most unusual reaction to director James Wan's haunted-house opus: For the life of me, I couldn't stop smiling.

28 Feb 2011

Oscars / The Grouch: Notes on the 2011 Academy Awards Telecast

By Mike Schulz

Before getting into what went wrong at last night's Academy Awards ceremony - and sadly, quite a bit went wrong - let's begin by addressing the one portion of the telecast that, for maybe the first time in Oscar history, went magically right.

23 Dec 2010

Hello. My Name Is Mattie Ross. You Killed My Father. Prepare to Die.: "True Grit" and "Yogi Bear"

By Mike Schulz

Jeff Bridges and Hailee Steinfeld in True GritTRUE GRIT

Over the course of their careers, the films of Joel and Ethan Coen have, of course, inspired a wide variety of responses: amusement (and quite a lot of it), excitement, fascination, terror, confusion, astonishment, mortification. (Oh, the depressing spectacle of Intolerable Cruelty ... .) But while we audiences have laughed and gasped and occasionally scratched our heads, we haven't, prior to the Coen brothers' True Grit, been moved to tears by scenes of unbridled yet honestly earned sentiment. Guess we can now scratch that one off the list, too.

19 Dec 2010

Shallow Brooks: "How Do You Know" and "Tron: Legacy"

By Mike Schulz

Reese Witherspoon and Paul Rudd in How Do You KnowHOW DO YOU KNOW

There's actually quite a bit of good to be said about writer/director James L. Brooks' How Do You Know, not least of which is that it's nowhere near as unbearable as Brooks' last offering, 2004's Spanglish. Unfortunately, that's not the same as saying the movie itself is good.

08 Mar 2010

All About Steve. And Alec.: Notes on the 2010 Academy Awards Telecast

By Mike Schulz

Best Actress winner Sandra BullockAll told, I thought this year's Academy Awards telecast was awfully satisfying, and I'm not saying that because I predicted 18 out of 24 categories correctly.

Yup. 18 out of 24.

Tying my personal best.

And three of my incorrect guesses were in the short-film categories, where no one knows what the hell is going on.

But I digress.

22 Feb 2010

Demigods and an Acting God: "Percy Jackson & the Olympians: The Lightning Thief" and "A Single Man"

By Mike Schulz

Brandon T. Jackson, Logan Lerman, and Alexandra Daddario in Percy Jackson & the Olympians: The Lightning ThiefPERCY JACKSON & THE OLYMPIANS: THE LIGHTNING THIEF

Just because the title is rather unwieldy, and the film is about an adolescent with otherworldly abilities, and this kid has male and female tag-along pals with powers of their own, and there are a lot of CGI effects on display, and the director is Harry Potter & the Sorcerer's Stone and Harry Potter & the Chamber of Secrets helmer Chris Columbus, don't think that Percy Jackson & the Olympians: The Lightning Thief is necessarily indebted to J.K. Rowling. The latest Harry Potter movie, after all, found its hero contending with a Half-Blood Prince. This adventure, on the other hand, finds its son-of-Poseidon protagonist attending Camp Half-Blood. See? They're not even remotely similar.

08 Feb 2010

Bridges Over Troubled Waters: "Crazy Heart," "An Education," "From Paris with Love," and "Australia: Land Beyond Time"

By Mike Schulz

Jeff Bridges and Maggie Gyllenhaal in Crazy HeartCRAZY HEART

Writer/director Scott Cooper's Crazy Heart is a character drama of gentle, lulling rhythms -- so lulling, in truth, that I momentarily dozed off halfway through the film. But I'm pretty sure that I was smiling as I slept, because the steady, deliberate pacing feels just right for the tale Cooper's telling, and because star Jeff Bridges is so masterfully assured as down-and-out country singer Bad Blake that he leaves you in a state of utter, unadulterated happiness and calm. (The actor might almost be saying, "Go ahead and nap. I'll be here when you wake up.") There may have been more exciting screen performances amidst 2009's releases, but possibly none as thoughtful, lived-in, and moving as Bridges'; in his hands, a role that easily could've been a one-note conceit is nothing short of symphonic.

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