Kristin Skaggs and J.C. Luxton in Antony & CleopatraMuch of Friday's performance of the Prenzie Players' Antony & Cleopatra played almost like a romantic comedy. Director Kate Farence's staging of William Shakespeare's tragedy feels lighter and funnier than perhaps the material calls for, with the titular couple enjoying their post-Julius Caesar relationship - and ultimately dealing with Rome's political power plays and battles - amidst a den of hedonism, with hippie-esque attendants engaging in swinging orgies and drug use. Matt Moody's set design even has the lovers reclining on a tiered platform covered in colorful pillows and blankets, a seeming nod to the pair's interest in each other over the power of a throne. And the personality in Farence's production proves titillating - and should make the show more palatable for those who might not enjoy a stuffier version.

Beth Woolley in Bear GirlThe local theatre troupe the Prenzie Players is most commonly known for stylistically bold, occasionally gender-bending takes on classical dramas and comedies, principally the works of William Shakespeare. But the company is about to embark on a particularly challenging experiment with its forthcoming production of the debuting Bear Girl - and the play's author, Prenzie co-founder J.C. Luxton, could hardly be accused of aiming too low.

"If you think of Shakespeare's Henriad," says Luxton, referencing the Bard's historical trilogy of Richard II, Henry IV, and Henry V, "it's kind of the epic of England. An epic story of who we are and how we came to be. And I think what I'm trying to do with Bear Girl is the beginnings of something similar for the Quad Cities area."