Tom Cruise in Mission: Impossible - Ghost ProtocolMISSION: IMPOSSIBLE - GHOST PROTOCOL

A European nutjob wants to start nuclear apocalypse, and Ethan Hunt and his team want to stop him. That's my condensation of Mission: Impossible - Ghost Protocol's needlessly complex plot in fewer than 20 words. Here's a condensation of my feelings toward this third sequel in fewer than five: The movie kicks ass.

Chris Hemsworth and Natalie Portman in ThorTHOR

Prior to the film's release, I wouldn't have thought any director a worse candidate for helming the hugely budgeted comic-book adaptation Thor than Kenneth Branagh, that frequent interpreter of Shakespeare whose one foray into Hollywood-blockbuster(-wannabe) terrain was 1994's monstrously terrible Frankenstein. In retrospect, I'm not sure any director would have proved a better choice. Two days after seeing Branagh's grandly produced yet subtly frisky entertainment, I'm still a bit shocked at how strong the results are; against all logic, Thor's director has successfully melded his movie's wildly disparate elements into an action-packed thrill ride (in 3D!) that, incredibly, also manages to be emotionally satisfying, and oftentimes funny as hell.

Ben Affleck and Jeremy Renner in The TownTHE TOWN

Director/co-writer/star Ben Affleck's crime drama The Town is an enjoyable, frustrating, fascinating contradiction: a movie with a storyline that's nearly impossible to buy, yet one performed and directed with such assurance and strength that it's nearly impossible not to buy. You can roll your eyes at the film's many clichés and contrivances, but you can't say they're presented with anything less than full commitment; for a two-hour-plus movie that doesn't provide even one truly novel character, situation, insight, or plot twist, The Town is remarkably fresh.

Adam Sandler and Leslie Mann in Funny PeopleFUNNY PEOPLE

Leslie Mann, the wife of comedy kingpin Judd Apatow, is unfailingly awesome, and I love her in her husband's first two outings as a film writer/director: 2005's The 40-Year-Old Virgin and 2007's Knocked Up. So it pains me to say that I would've enjoyed Apatow's third auteurist venture - the current Funny People - a whole lot more if Mann's character had been excised from it completely. Of course, that would've made the movie almost a full hour shorter than it is. That would've been all right, too.

Pages