Beau Gusaas, Craig Cohoon, Josh Weilenga, Mary Dammad, Jordan Smith, Jo Vasquez, Austin Winters, and Alexa Florence in This Side Up

Whenever I see a box marked with an arrow and the phrase “This Side Up,” the words strike me as almost poetic in their simple and straightforward instruction. If only life came with such clear signage! It would sure make living easy. But if that box was heavy and turned topsy-turvy with seemingly no way to right it … . What then?

This is the allegory pursued in New Ground Theatre’s latest production aptly titled This Side Up, whose world premiere I attended on August 26. University of Iowa graduate Kit Grassi, who wrote the work, told our opening-night audience that he drew inspiration from his own experiences and those of some friends but then “blew them up 200 percent,” and that having previously written short stories, this is was first produced play.

The Seven Against Thebes chorus

Ten years ago, almost to the day, I left my Rock Island apartment to make my first acquaintance with Genesius Guild’s annual classical-Greek dramas performed largely in mask, reviewing Aeschylus’ Seven Against Thebes and Sophocles’ Antigone. This past Saturday, leaving the same apartment, I ventured to Rock Island’s Lincoln Park to review Genesius Guild’s masked-drama presentations of ... Seven Against Thebes and Antigone. So nice to see that so much in my life has changed over the past decade.

Jacquelyn Schmidt, Michael Pazzol, Amy Sanders, Robin Quinn, Mike Schulz, and Jo Vasquez in How I Learned to DriveAugustana College's How I Learned to Drive offers an interesting opportunity to compare the acting talents of performers at different points in their lives, as there's a marked contrast between Reader editor Mike Schulz's work and that of the students who compose the rest of the cast. Being beyond college-age (and hired here as a guest actor), Schulz is presumably more aware of the darkness in the world, the pain of real life, and the reality of what some would call sin. I imagine he's subsequently able to draw from what he knows and use it to shape his character, whereas it's apparent that the students are feigning their feelings. To be clear, that's not to say that the students are poor actors, and each one offered a notable performance during Friday's presentation. Compared to Schulz's effort, however, there are distinct differences in the sincerity of their portrayals.

Jalayna Walton, Mercedes Padro, and Christina Arden in Real Girls Can't Win!If I were a college (or even high school) student of the female sex, I might find playwright Merri Biechler's Real Girls Can't Win! poignant and, if not life-changing, at least food for thought. I'm not, though, so while I appreciated Augustana College's cute presentation of the piece, I found the play itself to be rather pretentious, and annoyingly preachy.