Pandas: The Journey HomeFriday, July 25, 12:30 p.m.-ish: I take my seat for the latest big-screen edu-tainment at the Putnam Museum, and can't imagine a better way to begin my third quadruple feature of the month. For one thing, the movie I'm at is only 40 minutes long, which will shorten my work day considerably. For another, the movie is all about pandas. Pandas! Who doesn't love pandas? I figure that, at worst, the National Geographic presentation Pandas: The Journey Home will be adorable. So I'll admit to some more-than-mild surprise when, not 10 minutes into the film, we're treated to the (tasteful) sight of a female panda being artificially inseminated, right after witnessing the (tasteful) sight of a male panda mating with her. Hmmm, I think. Didn't see that in Disney's Bears.

Joel Kinnaman and Gary Oldman in RoboCopROBOCOP, ABOUT LAST NIGHT, and ENDLESS LOVE

I caught a triple-feature this past weekend, and lemme tell ya, it made me feel like a teenager again. Specifically, it made me feel 19, my age when the original RoboCop debuted; 18, my age when the original About Last Night debuted; and 13, my age when the original Endless Love debuted. I don't know what confluence of release strategies resulted in this trifecta of Reagan-era remakes, but I guess I should be grateful to Hollywood for the collective trip down memory lane. I'd be more grateful if the movies themselves were better, but ... .

Rooney Mara and Daniel Craig in The Girl with the Dragon TattooTHE GIRL WITH THE DRAGON TATTOO

Although I haven't read the book and now have no desire to, my guess is that those who love author Stieg Larsson's The Girl with the Dragon Tattoo will likely love the new film version, which boasts exceptional style and (as I understand it) doesn't significantly veer from the novel's narrative. Similarly, those who genuflect at the altar of David Fincher - and I'm occasionally one of them - will find plenty to adore here, as the director's signature imprint is on every seedy, suggestive, sepia-toned image.

Mel Gibson and Heath Ledger in The PatriotTHE PATRIOT

In this analysis of The Patriot, the Revolutionary War saga starring Mel Gibson, let's begin by addressing that which is mostly blameless - Caleb Deschanel's cinematography. Whether lensing a battle scene, featuring what appear to be thousands of extras in red and blue coats, or a romantic tableau in the moonlight, Mr. Deschanel's work is impeccable; he's one of the best in the business. Ditto the folks behind the set design and costumes, which look marvelously right in their period detail and lend the film more than an air of authenticity.

Minnie Driver and David Duchovny in Return to MeRETURN TO ME

There's so much goodwill built into Return to Me - the promise of an audience-pleasing romantic comedy, the likability of the cast, the presence of director/co-writer/co-star Bonnie Hunt, the prospect of David Duchovny smiling - that I feel like something of a heel for saying that the movie itself is pretty crummy.